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宋人倣張僧繇山水 軸

宋人倣張僧繇山水 軸

, "When Chang Seng-yu put brush to silk, he did not use lines of ink, only heavy colors of mineral.....more

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宋郭忠恕宮中行樂 冊頁

宋郭忠恕宮中行樂 冊頁

in with mineral white pigment and are so fine as to be barely identifiable. Two figures are shown.....more

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遼蕭瀜畫花鳥 軸

遼蕭瀜畫花鳥 軸

, the Bright mineral colors used to paint the pheasants, bamboo and rocks achieve a highly engaging.....more

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元人鳩雀先春圖 軸

元人鳩雀先春圖 軸

. The use of mineral colors and white is also extremely deft. 本幅 150.9x31.3公分、全幅 53.2公分 類型:繪畫 型式:靜態圖.....more

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元人嘉禾圖 軸

元人嘉禾圖 軸

but has painted the remainder with mineral blue and umber colours, much as in the "boneless" style.....more

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元高克恭群峰秋色 軸

元高克恭群峰秋色 軸

. Only on the main peak has darker ink been built up in layers. Mineral green was used in the moss dots.....more

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清黃本復雙松四喜圖 軸

清黃本復雙松四喜圖 軸

of the trees and their volume. The magpies and moss dots include touches of mineral green, adding a sense.....more

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清周亮工集名家山水 冊 清葉欣山水

清周亮工集名家山水 冊 清葉欣...

through contrasts of mineral colors of varying intensities. In this scene of mountains and pines, two.....more

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宋元集繪 冊 無款仕女

宋元集繪 冊 無款仕女

figures stand out starkly against a background of mineral blue. Although this round painting has.....more

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明仇英畫移竹圖 軸

明仇英畫移竹圖 軸

are meticulously rendered stroke by stroke in exquisite detail; the mineral green coloring lends an air.....more

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明陸治春山溪閣圖 軸

明陸治春山溪閣圖 軸

modeled with an oblique stroke resembling Ni Tsan’s (1301-1374) horizontal texture strokes. Mineral greens.....more

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唐李昭道曲江圖 軸

唐李昭道曲江圖 軸

. Outlines were executed with a fine brush and then filled in with mineral pigments. Some.....more

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清永瑢松壑層軒 軸

清永瑢松壑層軒 軸

in a line. Yung has used mineral and vegetable green pigments to achieve a sense of verdant growth.....more

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明董其昌倣張僧繇白雲紅樹 卷

明董其昌倣張僧繇白雲紅樹 卷

mountains, and folds of white clouds-is done in mineral green and colors. The leaves are painted.....more

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清周亮工集名家山水 冊 清王翬仿李咸熙群峰霽雪

清周亮工集名家山水 冊 清王翬...

shaded with white pigment, while the pines and distant trees were washed with mineral green.....more

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