清周亮工集名家山水 冊 清王翬仿李咸熙群峰霽雪
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連結到原始資料 (您即將開啟新視窗離開本站)後設資料
- 資料識別：
- 故畫001274N000000002
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 王翬
- 主題與關鍵字：
- 冬景（雪景） 松 寒林．枯樹 寺廟 房舍
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 25.1x31.8公分、對幅 25.1x31.8公分、全幅 29.2x68公分
- 關聯：
- 石渠寶岌三編（御書房），第七冊，頁3229&*故宮書畫錄（卷六），第四冊，頁273-281&*王翬（西元一六三二－一七一七年）字石谷，號耕煙散人，又號烏目山人、劍門樵客。江蘇常熟人。山水得王時敏指授，為清初四大家之一。 深山積雪，古松樓閣。景物集於下方呈金字塔狀，餘為遼闊天空。主峰突起，畫平台崖壁染赭色，餘山石用披麻皴法，筆法柔雋；山頭樹梢微點白粉，松及遠樹用重墨畫染石綠。畫家以青綠設色表現出冬日深山小雪的景致。 &* Wang Hui, a native of Kiangsu province, studied landscape painting fromWang Shih-min and became one of the Four Great Masters of the Early Ch’ing. Trees and buildings appear along a snow-filled mountain in this album leaf. The elements here are focused in the lower half of the painting, leaving the sky above to create an expansive feeling. The pyramid form of the cluster of hills is capped with a flat top. The hills are washed with ochre, the rest being done in hemp-fiber texture strokes to suggest softness. The upper parts of the hills are slightly shaded with white pigment, while the pines and distant trees were washed with mineral green. The artist has used a blue-and-green color scheme to give life to an otherwise cold winter scene. &* 王翬（1632∼1717），江蘇常熟人，字石谷，別號耕煙散人、劍門樵客、清暉主人。以王鑑、王時敏為師，筆墨參古今，畫技精熟，為清代之冠。 本幅畫深山積雪，古松樓閣。山頭樹稍微點白粉，松及遠樹用重墨畫染綠；主峰突起畫平台崖壁染赭色，其餘的山石用披麻皴，山凹深處有樓閣數重，山背染赭及再置石綠重色，佈景偏右下方，其餘衍為遼闊天際。 此圖以青綠設色畫雪景與本院藏之王時敏七十七歲所作之「仿王維江山雪霽」淵源甚深。如畫中，天色昏暗，以墨淡染，山頭留白以白粉傅染為雪景，部分山石以赭黃罩染，山凹深處以石綠置染喻為衰草覆蓋。重彩與墨黑相對應，幽杳深邃。兩相比對，皆見王翬畫法深受王時敏的啟發。 &*Wang Hui, a native of Kiangsu province, studied landscape painting from Wang Shih-min and became one of the Four Great Masters of the Early Ch'ing. Trees and buildings appear along a snow-filled mountain in this album leaf. The elements here are focused in the lower half of the painting, leaving the sky above to create an expansive feeling. The pyramid form of the cluster of hills is capped with a flat top. The hills are washed with ochre, the rest being done in hemp-fiber texture strokes to suggest softness. The upper parts of the hills are slightly shaded with white pigment, while the pines and distant trees were washed with mineral green. The artist has used a blue-and-green color scheme to give life to an otherwise cold winter scene. &*1.許郭璜，〈清王翬仿李咸熙群峰雪霽〉，收入《李郭山水畫系特展》（臺北：國立故宮博物院，1999年初版），頁113-114。
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
