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清王翬畫石磴林泉 軸

清王翬畫石磴林泉 軸

’s rain-drop ts’un and dense ink lines model its surface successfully emphasizing the strength.....more

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明人畫扇(亨) 冊 明陸治寫支硎山

明人畫扇(亨) 冊 明陸治寫支...

and light. The lines and texture strokes were executed in a seemingly carefree manner. According.....more

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清王時敏松巖靜樂圖 軸

清王時敏松巖靜樂圖 軸

. The lines still retain their original freshness and vigor. 本幅 168x76.3公分、全幅 110.6公分 清聖祖康熙十年(1671.....more

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明李宗謨蘭亭修褉圖 卷

明李宗謨蘭亭修褉圖 卷

was repeated through the ages, as seen here. The fluent lines of the banks and rocks reveal.....more

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明董其昌?江疊嶂圖 卷

明董其昌?江疊嶂圖 卷

spring scenery to autumn. With more texture strokes than washes, the lines are simplified.....more

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清陳書仿王蒙夏日山居圖 軸

清陳書仿王蒙夏日山居圖 軸

that the vitality of the lines and dots is preserved. 本幅 93.5x46.5公分、詩塘 25.4x46.5公分、全幅 65公分 類型:繪畫 型式:靜態.....more

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清王翬倣趙大年水村圖 軸

清王翬倣趙大年水村圖 軸

lines to represent the changing nature of summer clouds and washes with sketchier brushwork to sug.....more

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清張廷彥青女素娥 軸

清張廷彥青女素娥 軸

succinct, forceful lines to define the many folds of their robes and sashes blown aslant by the wind.....more

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清蔣廷錫畫水仙 軸

清蔣廷錫畫水仙 軸

are shown thriving beside a stream. Relaxed lines describe the narcissi, while the flowers are simply.....more

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明董其昌書斯干之什 軸

明董其昌書斯干之什 軸

with the vertical lines of characters leaning slightly to one side. Furthermore, the calligraphic style.....more

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宋馬遠板橋踏雪圖 軸

宋馬遠板橋踏雪圖 軸

, hoary lines. The long, extended branches that hang down are a hallmark of Ma Yüan’s style.....more

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清鄒一桂歲朝圖 軸

清鄒一桂歲朝圖 軸

by the emperor, and are distinguished by restrained lines and bright colors. Tsou was interested.....more

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元明書翰第十五冊 冊 明文徵明草書千字文

元明書翰第十五冊 冊 明文徵明...

. The lines also appear thin and strong as well as round and moist. The characters likewise combine.....more

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明董其昌臨鍾王帖 冊

明董其昌臨鍾王帖 冊

-chih's "Ts'ao-o pei" and Wang Hsien-chih's "'Lo-shen fu'in Thirteen Lines." Tung felt that copying.....more

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明祝允明書七言律詩 卷

明祝允明書七言律詩 卷

to ebb and flow together. The brush force expands out left and right, and the spacing between the lines.....more

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