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符合的藏品

明姚綬畫竹 軸

明姚綬畫竹 軸

bamboo are drawn in ink in calligraphic brushstrokes; the solid mass of rock is limned in fluid ink.....more

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元王淵秋山行旅圖 軸

元王淵秋山行旅圖 軸

in contrasting tones of light and dark ink. The small rocks are painted with great strength and add.....more

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明王紱獨樹圖 軸

明王紱獨樹圖 軸

period (1403-1424), Wang Fu was famed for his renderings of bamboo in monochrome ink. He also excelled.....more

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元人畫夏山甘雨 軸

元人畫夏山甘雨 軸

rain often utilized watery ink to describe the sodden, rain-drenched landscape. Here, mountains.....more

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明文徵明花卉 冊 洛浦凌波

明文徵明花卉 冊 洛浦凌波

. On this leaf, the narcissus is painted in the pai-miao ink-outline mode and provides an interesting.....more

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清羅牧林壑蕭?圖 軸

清羅牧林壑蕭?圖 軸

drenched with ink has been wielded without restraint in this painting. The untreated paper has soaked up.....more

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五代梁荊浩漁樂圖 軸

五代梁荊浩漁樂圖 軸

in nets. The rocks and mountain forms are rendered with straight texture strokes, and the ink.....more

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清蔣廷錫畫歲寒三友 軸

清蔣廷錫畫歲寒三友 軸

” manner with most of the suggestion of coloring done in ink. The variation between light and dark ink.....more

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清張宗蒼竹亭觀瀑圖 軸

清張宗蒼竹亭觀瀑圖 軸

). Chang’s method of painting was first to render the outline with a pale ink wash, layer on layer.....more

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清張宗蒼松陰高士圖 軸

清張宗蒼松陰高士圖 軸

the cascade. The artist used scumbled dry ink to depict the trees and rocks. Brush and ink.....more

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清王武雪蕉圖 軸

清王武雪蕉圖 軸

竹 芭蕉 國立故宮博物院 石渠寶笈三編(延春閣),第五冊,頁2165&*故宮書畫錄(卷八),第四冊,頁93&*故宮書畫圖錄,第十冊,頁97-98&*王武(西元一六三二-一六九○年),字勤中,號忘庵.....more

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清王鐸山水 軸

清王鐸山水 軸

ample ink to create a landscape with simple composition but rich in ink tonality. Though free.....more

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名畫薈珍 冊 明王紱小山叢竹

名畫薈珍 冊 明王紱小山叢竹

for painting bamboo in monochrome ink and also excelled at rendering landscapes. Wang Fu's painting.....more

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清赫奕煙江漁艇 軸

清赫奕煙江漁艇 軸

light and dark ink dots to render multiple ridges and banks in monochrome washes. Ho I thus achieved.....more

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藝林清賞 冊 清楊大璧雲壑奔泉

藝林清賞 冊 清楊大璧雲壑奔泉

of the Sung dynasty. The brushwork is casual yet refined, and the ink is extremely moist. Because.....more

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