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明呂紀柳塘禽集圖 軸

明呂紀柳塘禽集圖 軸

. He combined detailed, meticulous brushwork (kung-pi) with expressive “sketching of ideas” (hsieh-i.....more

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明謝時臣四皓 軸

明謝時臣四皓 軸

at leisure on Mt. Shang during the 3rd century BC. They are seen playing ch’i (go.....more

392/485
明沈周鳩聲喚雨 軸

明沈周鳩聲喚雨 軸

Chou, style name Ch’i-nan, sobriquets Shih-t’ien and Pai-shih-weng, was a native of Ch’ang-chou.....more

393/485
明文徵明喬林煮茗圖 軸

明文徵明喬林煮茗圖 軸

contains a personal note which reads as follows: “In the past, you gave me a beautiful gift, and I.....more

394/485
明丁雲鵬十八羅漢圖 卷

明丁雲鵬十八羅漢圖 卷

sitting, and some holding various objects, such as walking sticks, rosaries, ju-i scepters, whisks.....more

395/485
清王翬雲溪草堂圖 卷

清王翬雲溪草堂圖 卷

; was a very wealthy official who assisted the famous poet Chu I-tsun in painting the latter’s.....more

396/485
宋人畫果老仙蹤 軸

宋人畫果老仙蹤 軸

to a tripod, while the other holds a ju-I scepter. A crane stands amid the bamboo and fungi grow among.....more

397/485
清畫院畫十二月月令圖七月 軸

清畫院畫十二月月令圖七月 軸

under the moon for the Ch’i-ch’iao festival on the 7th day of the 7th month. Only on this night.....more

398/485
明陳洪綬畫隱居十六觀 冊 孤往

明陳洪綬畫隱居十六觀 冊 孤往

” (ku wang) appear in T’ao Yüan-ming’s poem Returning Home: “Embracing the fair weather I go.....more

399/485
明項元汴善才頂禮 軸

明項元汴善才頂禮 軸

more a landscape painting. In the lower right is an inscription by Xiang’s grandson: “I, Grandson.....more

400/485
名畫琳瑯 冊 元黃公望雨巖仙觀

名畫琳瑯 冊 元黃公望雨巖仙觀

was Tzu-chiu; his sobriquets were I-feng, Ta-ch'ih tao-jen and Ching-hsi tao-jen. In landscape he.....more

401/485
清王原祁仿黃公望山水 軸

清王原祁仿黃公望山水 軸

. This is what Siweng (Dong Qichang) excelled at, and it is all here. In this painting I have imitated his.....more

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清錢維城畫洋菊 軸

清錢維城畫洋菊 軸

'ien Wei-ch'eng’s style evolved from Ch'en Shu, it reflects as well the influence of Tsou I-kuei.....more

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宋四家法書 卷 宋蘇軾書次韻三舍人省上詩

宋四家法書 卷 宋蘇軾書次韻三...

by natutre has no method, so the dots and strokes that I dash off are guided by my hand without.....more

404/485
明項聖謨畫蘆雁 軸

明項聖謨畫蘆雁 軸

of the famed collector Hsiang Yüan-pien. His style name was K’ung-chang, his sobriquets I.....more

405/485

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