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清張照書御製芝蘭曲 軸

清張照書御製芝蘭曲 軸

after which he studied the works of Mi Fu of the Northern Sung and Yen Chen-ch'ing of the T'ang dynasty.....more

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宋吳琚書七言絕句 軸

宋吳琚書七言絕句 軸

Chü (style name Chü-fu, sobriquet Yün-ho, and posthumous name.....more

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清董教增羅浮山圖 軸

清董教增羅浮山圖 軸

-tseng (1750-1822) Ch’ing Dynasty Mount Lo-fu is in northwest Po-lo County, modern Kwangtung.....more

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清王鴻緒臨米芾書蘭亭序 卷

清王鴻緒臨米芾書蘭亭序 卷

and calligraphy. In calligraphy, he studied the styles of Mi Fu and Tung Ch'i-ch'ang. The original composition.....more

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宋十二名家法書 冊 宋吳琚書識語並焦山題名

宋十二名家法書 冊 宋吳琚書識...

處的特色。整篇行氣,縱恣自如,自有一股瀟灑意氣。本幅選自「宋十二家法書」冊第十二幅。&*Wu Chü(style name Chü-fu; sobriquet Yün.....more

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清董邦達仙廬澄霽 軸

清董邦達仙廬澄霽 軸

, was a native of Fu-yang in Chekiang. He used the style name Fu-ch’en and the sobriquet Tung-shan.....more

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清董邦達仿倪瓚?林含秀 軸

清董邦達仿倪瓚?林含秀 軸

in the Manner of Ni Tsan Tung Pang-ta Ch’ing dynasty Tung Pang-ta (tzu Fu-ts’an, hao Tung-shan.....more

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清董邦達斷橋殘雪御題 軸

清董邦達斷橋殘雪御題 軸

第一橋曰斷橋,界於前後兩湖之間。春雪未消,悉瓊林瑤樹,晶瑩朗澈。 &*Tung Pang-ta style name Fu-ts'un, sobriquet Tung-shan.....more

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清董邦達南屏晚鐘 軸

清董邦達南屏晚鐘 軸

,翠嶺橫披,宛若屏障,下有淨慈寺,寺鐘一鳴,山谷皆應,逾時方息。 &* Tung Pang-ta (1699-1769) style name Fu-ts’un, sobriquet Tung-shan.....more

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明王紱獨樹圖 軸

明王紱獨樹圖 軸

局甚簡,而用筆圓勁,墨色濃郁,覺與吳鎮有溪壑相通處。 &*Wang Fu was a native of Wu-hsi, Kiangsu. His style name was Meng-tuan.....more

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明陳繼儒自書詩帖 軸

明陳繼儒自書詩帖 軸

.” In calligraphy, Ch’en completely followed that of the Sung literati masters Su Shih and Mi Fu.....more

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明陶成菊花雙兔圖 軸

明陶成菊花雙兔圖 軸

Chrysanthemums T’ao Ch’eng (fl. 15th c.) Ming Dynasty T’ao Ch’eng had two style names, Meng-hsü.....more

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明陳裸竹溪花塢圖 軸

明陳裸竹溪花塢圖 軸

, calligrapher and painter. His landscape style was after those of Chao Ch’ien-li, Chao Meng-fu and Wen.....more

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明董其昌臨宋四大家書 卷

明董其昌臨宋四大家書 卷

of each Master. Among the copied works is Mi Fu's Ch'ang-ch'ing-ko written twice, but each brushstroke.....more

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明陳栝四時花卉 冊 梅

明陳栝四時花卉 冊 梅

in Kiangsu and the son of the painter Ch’en Tao-fu. Expansive by nature, he loved wine and in his.....more

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