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明陳汝言荊溪圖　軸

王氏老家。圖中大橋即傳說中晉朝周處除三害「橋下斬蛟」之地。全幅藉自然地理與人文歷史意涵結合表現。 &*Ch’en Ju-yen resisted the Yüan and followed.....more

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-1644) Posing as T’ao Yüan-ming, a gentleman in a small fishing boat dangles his bare foot.....more

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刻。本幅主題為芍藥，畫家以探古為革新，並以金石書法入畫，蒼潤渾厚，顯得古意盎然，生機蒼勃。　　本幅為朱銘源先生捐贈。 &* Wu Ch’ang-shih, a native of Chekiang.....more

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to be illustrated consecutively. Here T’ao Yüan-ming appears repeatedly as the main character.....more

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-1470) Ming Dynasty Hsia Ch’ang (style name Chung-chao; sobriquets Tzu-tsai chü-shih and Yü.....more

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of calligraphy, Ts'ai Hsiang studied the styles of Yü Shih-nan and Yen Chen-ch'ing of the T'ang.....more

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,” was a native of T’ai-ts’ang, Kiangsu. His style-name was Shih-fu; his sobriquet, Shih-chou. Originally.....more

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澹。精麗端整中，又有一份瀟灑。&*Six Scenes in Sung and Yüan Styles Ch'iu Ying (1494-1552) Ming Dynasty.....more

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himself Liu-ju-chü-shih. A skilled calligrapher and painter, T’ang modelled himself on earlier.....more

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-shih of 1588, he ultimately became President of the Board of Rites. Tung Ch’i-ch’ang excelled.....more

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and the colophon by Chu Yün-ming mention a doctor, Lu Yüeh-chih.....more

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