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明周臣畫閒看兒童捉柳花句意 軸

明周臣畫閒看兒童捉柳花句意 軸

’en Hsien (1405-1496) as his teacher. His style developed under the influence of the Sung.....more

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明文徵明喬林煮茗圖 軸

明文徵明喬林煮茗圖 軸

developed in Soochow duing the Ming dynasty. When he was fifty-four years old, he was sent.....more

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明張復秋山行旅圖 卷

明張復秋山行旅圖 卷

landscapes followed those of Shen Zhou, but later he developed his own style. On the slopes of a bank.....more

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宋人畫果老仙蹤 軸

宋人畫果老仙蹤 軸

'iao Mountains of Heng-chou. In his travels, he developed a reputation as an immortal.....more

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明人便面畫冊(二) 冊 明陸治林泉高致

明人便面畫冊(二) 冊 明陸治...

(1460-1526) and Wen Cheng-ming (1470-1559), who taught him the art of painting. Lu developed his.....more

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宋薛紹彭雜書 卷

宋薛紹彭雜書 卷

to calligraphy historians, he developed a distinguished style similar to that of the Two Wangs and Hsieh.....more

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明人畫扇(亨) 冊 明陸治牡丹鶵菊

明人畫扇(亨) 冊 明陸治牡丹...

developed his own special features, and became revered in his own time. He enjoyed imitating the style.....more

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清禹之鼎擬趙千里山水 軸

清禹之鼎擬趙千里山水 軸

for contour lines is a standard method of painting blue-and-green landscapes developed by Chao Po-ch.....more

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唐徐浩書朱巨川告身 卷

唐徐浩書朱巨川告身 卷

position today. This system developed to maturity in the T’ang dynasty and was divided into five levels.....more

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宋郭熙寒林圖 軸

宋郭熙寒林圖 軸

specialty was landscapes, and although he was heavily influenced by Li Ch'eng, Kuo Hsi developed his own.....more

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五代後蜀丘文播文會圖 軸

五代後蜀丘文播文會圖 軸

. Since large tables and chairs were not used in antiquity, this type of small armrest was developed.....more

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明吳彬畫魚籃觀音 軸

明吳彬畫魚籃觀音 軸

(1573-1620) he became known for his painting. He developed his own style of painting, and depicted.....more

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明沈周畫雪景 軸

明沈周畫雪景 軸

the artist was 59. Both are short handscrolls on paper and are mare fully developed and confident than.....more

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清艾啟蒙畫風猩 軸

清艾啟蒙畫風猩 軸

among its fur. It has well-developed fingernails for climbing trees and is noted for its slow.....more

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清傳綮寫生 冊 芙蓉

清傳綮寫生 冊 芙蓉

developed an individual style, simplified and untrammeled, that brings a magical quality of life.....more

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