符合的藏品

共找到 11 筆符合的資料

清乾隆緙絲花鳥宮屏　軸

) are almost the same, except for slight differences in the design.&*國立故宮博物院緙絲，圖82 本幅 171.3x47公分、全幅.....more

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. There is a strong design quality to all the forms in the painting, but the artist has been able.....more

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the rock formation and the repeated brushstrokes for the surface leave one with monotonous design. 本幅 118.....more

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armchairs with projecting rails. Pure and simple in design, the chair here has armrests supported.....more

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for their design qualities in a manner which has become a true signature of Ts’ui’s hand. &*1.〈明崔子忠雲林洗桐圖.....more

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apparently was not confined by the limitations of a folding fan, perhaps taking a design originally meant.....more

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for an appealing design. The focus on representing the motifs is not on realism, as seen.....more

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design and brushwork to correspond to the original as much as possible. Thus, Wu Pin’s painting can.....more

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of brush and ink throughout the entire painting appears fine and graceful. In this painting, the design.....more

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surviving work. In his inscription, he writes that he created the design in a single outburst.....more

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conveys the form, thus showing the artist's skill at composition design. Two gibbons—one sitting quietly.....more

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