符合的藏品

共找到 11 筆符合的資料

元趙奕畫大士像　軸

上，躬身作揖，狀甚禮敬。此係出自﹝華嚴經﹞善財童子五十三參之一，善財參訪觀音，向其問道的情景。&*Chao I, style name Chung-Kuang, was a native of Wu.....more

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坐樹下，皆張口談說。筆墨雅淡，描寫傳神。梅枝山石，用筆方整，是崔特色。 &*Ts’ui Tzu-chung was a native of Peiking. His style names were.....more

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極少，至明則時見其作品流傳之記載，而以蕃馬題材居多。元柯九思推許陳氏之作，不亞於宣和蕃馬名家黃宗道。圉人牽棗騮，骨相俊偉，豐臆圓脽，步穩慢，雄壯而安祥。&*Ch'en Chü-chung.....more

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，觀此畫例，足證元明以降，山水畫已蔚成國畫作之主導。 Cheng Chung, a native of Hsi Hsien, Anhwei Province, was also called.....more

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, later took Cheng-ming as his name and adopted the tzu Cheng-chung and hao Heng-shan) was a native.....more

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name Sheng-yu and sobriquet Ts'ui-ten) was a native of Huai-yin, Kiangsu. At the end of the Sung.....more

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by his tzu. Yet another tzu was Cheng-chung; his hao (sobriquets) were T’ing-yün-sheng and Heng.....more

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(style names Chung-lang and Ching-hsuan) served as Senior Scribe in Hsuan-chou. He enjoyed writing.....more

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。　　本幅為吳彬畫十六羅漢圖之一，構圖與浙江錢塘聖因寺傳為貫休所作的十六羅漢圖相同。吳氏摹筆忠實，造型、用筆盡量求同，可謂形神兼備。 &* Wu Pin (style name; Wen-chung.....more

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(style name; Wen-chung) was a native of P’u-t’ien, Fukien, but later moved to Chin-ling (modern Nanking.....more

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。冊中人物多胡貌梵相，意態毫髮，敷色明豔古雅，筆墨亦蘊藉而富變化，取景及樹石造形，均著意誇大變形，古拙而有奇趣。 &* Wu pin, style name wen-chung.....more

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