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清金廷標畫仙館澄秋 軸

清金廷標畫仙館澄秋 軸

配以石筍、松、竹、芭蕉。設色清新,秋爽之氣於雲煙中自可得之。 &* Chin T’ing-piao (style name Shih-k’uei) was a native of Niao-ch’en.....more

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清金廷標白描羅漢 冊 羅漢(二)

清金廷標白描羅漢 冊 羅漢(二...

,海濤水紋更是筆筆交待,曲柔優美,羅漢造型與習見之布袋和尚相類,腴潤和藹。 &* Chin T’ing-piao (style name; Shih-k’uei) was a native of Wu.....more

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清金廷標畫人物 冊 秋林牧笛

清金廷標畫人物 冊 秋林牧笛

。他用筆生硬而有力,與當時的院手迥不相同,而也很受乾隆的欣賞。這幅畫畫著兩個牧童,分騎在兩頭牛上,一人吹笛,一人鼓掌。在林蔭溪邊,逍遙而自得其樂。&*Chin T’ing-piao.....more

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清金廷標瑤圃採芝圖 軸

清金廷標瑤圃採芝圖 軸

作品來得粗獷奔放。草叢、苔點、掛藤、松針,或加白粉,或留空地,用以強調積雪的景緻。人物衣紋的線條相當流暢。臉部、衣紋的烘染,凹凸分明,或略受西洋光影法影響。 &* Chin T’ing-piao.....more

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五代後蜀黃筌竹梅寒雀圖 軸

五代後蜀黃筌竹梅寒雀圖 軸

. This subject matter is comparable to that in The Three Friends and One Hundred Birds by Pien Wen-chin.....more

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元明人題錢譜雜文 冊 金聲書賦 

元明人題錢譜雜文 冊 金聲書賦...

繇之影響。 &*Chin Sheng (act. Second half 14th century, style name Yen-chen) was a native of Hua-t’ing.....more

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清金廷標竹溪六逸 軸

清金廷標竹溪六逸 軸

。 &* Chin T’ing-piao (style name Shih-k’uei) was a native of Wu-ch’eng (modern Wu-hsing, Chekiang.....more

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清惲壽平摹古 冊 牡丹

清惲壽平摹古 冊 牡丹

Dynasty From Wu-chin in Kiangsu, Yün was the leading essayist and poet of the “Six Gentlemen.....more

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歷代集繪 冊 無款桃花 

歷代集繪 冊 無款桃花 

,於尺幅大小、筆墨設色、題識印記諸端,俱與本幅相仿,而倚雲仙杏繫有「臣馬遠畫」四字款。基於上述比較,當能推知,宋人桃花亦屬馬遠所繪。 Ma Yüan, style name Chin.....more

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元人畫四孝圖 卷

元人畫四孝圖 卷

mother because his mother loved to eat oranges. The third story depicts Wang Hsiang of the Western Chin.....more

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唐人宮樂圖 軸

唐人宮樂圖 軸

the application of white facial powder on the forehead nose, and chin. The ladies' elaborately coiffed hair.....more

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歷代名繪 冊 射妖圖

歷代名繪 冊 射妖圖

in the manner of Tai Chin (1388-1462). 本幅 36.2x36.1公分 對幅 36.2x36.1公分 全幅 43.8x71.6公分 繪畫 歷代名繪 冊 射妖圖 故畫.....more

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唐人宮樂圖 軸

唐人宮樂圖 軸

the application of white facial powder on the forehead nose, and chin. The ladies' elaborately coiffed hair.....more

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清金廷標戲嬰圖 軸

清金廷標戲嬰圖 軸

活潑的孩童,為新年增添熱鬧祥福的氣氛。 &* Chin T’ing-piao was a native of Wu-ch’eng (Hu-chou, Chekiang). He.....more

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明呂紀秋渚水禽 軸

明呂紀秋渚水禽 軸

-and-flower painting, he initially studied the works of Pien Wen-chin and later emulated the paintings.....more

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