符合的藏品
共找到 363 筆符合的資料
元趙孟頫重江疊嶂 卷
and spirited. This work follows the latter mode. The use of brush and ink are exceptionally clear, sharp.....more
- 108/363
元吳鎮晴江列岫圖 卷
to be identified. The manner of brush and ink throughout the work, however, is far removed from other surviving.....more
- 109/363
明陸師道攜卷對山圖 軸
was widely acclaimed. Executed in light color, this work depicts a scholar sitting beneath the shade.....more
- 110/363
明周臣松窗對奕圖 軸
brush was sharp, strong, and refined; his style was followed by T’ang Yin and Ch’iu Ying.....more
- 111/363
明藍瑛仿黃公望山水 卷
individualistic and he experimented with heavier colors and thicker lines. In this work, Lan Ying presents.....more
- 112/363
清李培雨畫牡丹 冊 牡丹（五）
-Tianjin area after the Chinese Revolution of 1911, making a living through painting. This work, selected.....more
- 115/363
唐顏真卿祭姪文稿 卷
was captured and executed. This work represents a heartfelt requiem written by Yen for his nephew.....more
- 116/363
唐顏真卿祭姪文稿 卷
was captured and executed. This work represents a heartfelt requiem written by Yen for his nephew.....more
- 117/363
民國臺靜農臨石門摩崖 軸
on a cliffside. Judging from this work, we notice that his knowledge of the inscription must have been.....more
- 119/363
民國臺靜農草書故國神遊 橫披
universities in the mainland and Taiwan. Whenever calligraphers take up the brush, they often add.....more
- 120/363