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符合的藏品

清惲壽平摹古 冊 水仙

清惲壽平摹古 冊 水仙

of gamboges yellow wash. Reverse haloes of cyanine blue were used for the area around the blossoms.....more

1/11
清丁觀鵬太平春市圖 卷

清丁觀鵬太平春市圖 卷

Emperor and served as a painter. This handscroll describes a prosperous place at peace. At the New Year.....more

2/11
明董其昌倣宋元人縮本畫及跋 冊 倣黃公望臨董源夏山圖

明董其昌倣宋元人縮本畫及跋 冊...

三冊,頁122-129&*Wen C. Fong, Images of the Mind ( New Jersey: The Art Museum, Princeton University.....more

3/11
宋李唐江山小景 卷

宋李唐江山小景 卷

and ink in Li’s “Wind in Pines Among a Myriad Valleys.” This handscroll also features techniques of blue.....more

4/11
清王原祁春雲出岫 軸

清王原祁春雲出岫 軸

, it is less antique in spirit than if it had been painted on paper. The blue and green pigment is applied.....more

5/11
五代南唐徐熙玉堂富貴圖 軸

五代南唐徐熙玉堂富貴圖 軸

of exceptional refinement and elegant beauty. Executed on a base of mineral blue wash and including.....more

6/11
明錢穀午日鍾馗 軸

明錢穀午日鍾馗 軸

, Chung K’uei can be seen wearing a dark cap flapping in the wind and a light blue robe. He holds in his.....more

7/11
清王鑑倣趙孟頫茂林蕭寺圖 軸

清王鑑倣趙孟頫茂林蕭寺圖 軸

the “Southern School.” After the middle Ming, Ch’iu Ying’s blue-and-green style rose in popularity.....more

8/11
清李培雨畫牡丹 冊 牡丹(四)

清李培雨畫牡丹 冊 牡丹(四)

, one frontal in cyanine blue and the other from the side in pure white. The areas for the leaves.....more

9/11
元高克恭雲橫秀嶺 軸

元高克恭雲橫秀嶺 軸

follow in the Chao Ling-jang (fl. ca. 1070-1100) style and the use of blue-and-green goes back to the T.....more

10/11
元高克恭雲橫秀嶺 軸

元高克恭雲橫秀嶺 軸

follow in the Chao Ling-jang (fl. ca. 1070-1100) style and the use of blue-and-green goes back to the T.....more

11/11

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