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符合的藏品

明祝允明書七言律詩 卷

明祝允明書七言律詩 卷

was also praised for his all-around scholarship and in later years for his wild cursive script. Chu.....more

256/495
明人摹西園雅集圖 軸

明人摹西園雅集圖 軸

, Ji Min, Zheng Ju, Liu Zhen, Lu Zhen, Zhang Hun, Di Jianmo, and Lu Zhen, who all traveled to Bai’s.....more

257/495
明人便面集錦 冊 明陳栝芭蕉紫薇

明人便面集錦 冊 明陳栝芭蕉紫...

concentrated in the middle of the painting to create a composition with three layers. With all.....more

258/495
明沈周蘇州山水全圖 卷

明沈周蘇州山水全圖 卷

locate almost all of the sites. For example Hu-ch’iu-shan (Tiger hill), the Hu-shu Gate, Mt. T’ien-p.....more

259/495
無量壽佛會慶圖 冊 海洞潮音

無量壽佛會慶圖 冊 海洞潮音

-yin. Shākyamuni responded with a gata, or verse, in which he described Kuan-yin’s vow to help all.....more

260/495
明陸治寫生 冊

明陸治寫生 冊

(1483-1544). All reflect the utmost concentration of Lu. This album of paintings from life includes 10.....more

261/495
五代南唐顧閎中鍾馗出獵圖 卷

五代南唐顧閎中鍾馗出獵圖 卷

weapons, hounds or tigers Ferocious and deformed, they are all painted with meticulous detail.....more

262/495
明徐渭寫生 卷

明徐渭寫生 卷

; sobriquets T’ien-Ch’ih and Ch’ing-t’eng lao-jen) was a native of Shan-yin. All of his depictions.....more

263/495
明吳彬畫楞嚴廿五圓通佛像 冊

明吳彬畫楞嚴廿五圓通佛像 冊

are all of an independent style. His forms and shapes are unusual and vastly different from earlier.....more

264/495
清丁觀鵬極樂世界圖 軸

清丁觀鵬極樂世界圖 軸

all around. Auspicious clouds float above and envelope a palatial complex. Below is a lotus pond.....more

265/495
清繡線佛像(九)普賢菩薩 軸

清繡線佛像(九)普賢菩薩 軸

. The compositions are all clearly defined and the colors opulent. Various embroidery techniques were.....more

266/495
清吳昌碩梅花 軸

清吳昌碩梅花 軸

tree in this work with twigs, branches, circular petals, and moss dots are all rendered.....more

267/495
宋劉松年畫羅漢 軸

宋劉松年畫羅漢 軸

-to-none. This is one of three Lohan paintings by this artist, all dated 1207.....more

268/495
宋李公麟畫麗人行 卷

宋李公麟畫麗人行 卷

, hairstyles, and coloring all suggest the style of T'ang (618-907) culture and painting. A late.....more

269/495
元李容瑾漢苑圖 軸

元李容瑾漢苑圖 軸

and trees in the landscape setting as well as the moist brushwork all originated in the Li Ch’eng and Kuo.....more

270/495

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