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元王蒙具區林屋 軸

元王蒙具區林屋 軸

were washed with ochre and red for a sense of autumn. The use of brush and color add spirit to th.....more

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清郎世寧十駿犬霜花鷂 軸

清郎世寧十駿犬霜花鷂 軸

techniques, such as perspective and modeling, to paint largely Chinese motifs. The results were more.....more

557/653
清陳字文房集錦 冊 戲嬰圖

清陳字文房集錦 冊 戲嬰圖

painter Ch’en Hung-shou (15998-1652), and their styles of art were similar. Aloof and proud by nature, Ch.....more

558/653
清丁觀鵬太平春市圖 卷

清丁觀鵬太平春市圖 卷

to create a realistic effect. His works were admired by many. This work from 1742 under the Qianlong.....more

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元王蒙具區林屋 軸

元王蒙具區林屋 軸

were washed with ochre and red for a sense of autumn. The use of brush and color add spirit to th.....more

560/653
五代梁關仝秋山晚翠 軸

五代梁關仝秋山晚翠 軸

-reaching. His only shortcoming was his inability to paint figures, which were often done by his.....more

561/653
宋劉松年畫羅漢 軸

宋劉松年畫羅漢 軸

are said to have a pure and exquisite spirit and at the time they were considered second.....more

562/653
元趙孟頫窠木竹石 軸

元趙孟頫窠木竹石 軸

were excellent, and his calligraphy and painting have served as models for later generations.....more

563/653
宋李公麟免冑圖 卷

宋李公麟免冑圖 卷

. Horses symbolized noble status and were used by military leaders. Li Kung-lin, who created the pai-miao.....more

564/653
元趙雍駿馬圖 軸

元趙雍駿馬圖 軸

leans against a pine tree, napping. The horses were simply and vividly drawn.....more

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元顧安平安磐石 軸

元顧安平安磐石 軸

studied Chao Meng-fu's (1254-1322) writing styles. His ink bamboo painting were executed.....more

566/653
元倪瓚江岸望山圖 軸

元倪瓚江岸望山圖 軸

;n" were witten in their place. 本幅 111.3x33.2公分&詩塘 18.3x34.1公分&全幅 60.2公分 元順帝至正二十三年(1363.....more

567/653
元人春山圖 軸

元人春山圖 軸

through a mist-filled valley. The mountain forms were outlined in heavy ink and then textured.....more

568/653
宋馬遠乘龍圖 軸

宋馬遠乘龍圖 軸

elements in one part of the picture, they were sometimes referred to as “One-corner Ma” or “Half-side.....more

569/653
宋人岷山晴雪 軸

宋人岷山晴雪 軸

and ink, to which copious layers of light and dark ink wash tones were added to create textured.....more

570/653

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