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符合的藏品

宋馬遠山水人物 軸

宋馬遠山水人物 軸

were done with axe-cut texture strokes using a slanted brush. The pine branches twist with force.....more

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明董其昌書春日行 軸

明董其昌書春日行 軸

of old masters. His standard and semi-cursive scripts were recognized as the best of his generation.....more

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清董邦達楓谿觀瀑高宗御題 軸

清董邦達楓谿觀瀑高宗御題 軸

, yellow, and green, are elegant and were used to demonstrate the changing colors of the trees.....more

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明仇英長夏江村圖 卷

明仇英長夏江村圖 卷

, the painting full of details from life. Such expressions of everyday life were the most important.....more

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清周禧畫羅漢(丙) 軸

清周禧畫羅漢(丙) 軸

was Chiang-shang nü-shih. She and her elder sister were skilled in painting birds and flowers as well.....more

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清戴天瑞秋山落照 軸

清戴天瑞秋山落照 軸

of a brush. All the trees and rocks were rendered with the finger tip and fingernail dipped in ink.....more

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清弘?墨筆叢岩疊翠 軸

清弘?墨筆叢岩疊翠 軸

many of the trees. The texture of the earthen forms and mountains were rendered with dark.....more

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清花卉畫冊 冊 清惲壽平桂花

清花卉畫冊 冊 清惲壽平桂花

of sweet osmanthus blossoms. The petals were done with a delicate mixture of ochre, orange-red.....more

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清張宗蒼西湖圖 軸

清張宗蒼西湖圖 軸

. His style name were Mo-ts’un and Mo-ts’en. He also used Huang-ts’un as his hao. He excelled.....more

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宋趙令穰陶潛賞菊圖 卷

宋趙令穰陶潛賞菊圖 卷

of Wang Wei. His shore scenes with waterfowl were said to be imbued with the spirit of waterscapes.....more

340/653
清董邦達繪御筆范成大分歲詞 軸

清董邦達繪御筆范成大分歲詞 軸

they were officials or plebeians, would gather together and sit until dawn without sleeping. This was .....more

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清陳士俊繪高宗御書范成大照田蠶行 軸

清陳士俊繪高宗御書范成大照田蠶...

to bind long bundles of grasses together. These brands were then lit, and people would carry them.....more

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明徐渭畫竹 卷

明徐渭畫竹 卷

unrestrained splashes of ink; the ink looks almost dripping wet, as if the bamboo were rain soaked. The young.....more

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清院本漢宮春曉圖 卷

清院本漢宮春曉圖 卷

were numerous, some following the format set by the Han dynasty artist, Mao Yen-sou. Others, unli.....more

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清陳書山靜日長圖 軸

清陳書山靜日長圖 軸

she chose to use were very dense and heavy, to further enhance the quality of exuberant rank growth.....more

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