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符合的藏品

元王蒙秋山草堂圖 軸

元王蒙秋山草堂圖 軸

absorbed the style of his grandfather yet was able to develop his own, eventually becoming known as one.....more

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五代南唐周文矩仕女圖 軸

五代南唐周文矩仕女圖 軸

Tao-tzu (fl. ca. 710-760) or Ts'ao Pu-hsing (fl. third century) but created his own unique manner.....more

182/280
宋馬麟靜聽松風圖 軸

宋馬麟靜聽松風圖 軸

in painting landscapes, figures, and birds and flowers. He developed his own particular style.....more

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元人應真像 軸

元人應真像 軸

to imbue the facial features of each image with its own fresh sense of vitality and liveliriess.....more

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元倪瓚雨後空林 軸

元倪瓚雨後空林 軸

Tsan's own inscription in the upper right corner and those of others, almost the entire surface.....more

185/280
元吳鎮秋江漁隱 軸

元吳鎮秋江漁隱 軸

he added his own personal features. In this painting, a precipitous cliff staggers to lofty heights.....more

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元盛懋山水 軸

元盛懋山水 軸

nd after becoming skilled in his techniques, Sheng added his painting method to form a style of his own.....more

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明王問拾得像 軸

明王問拾得像 軸

. He picked it up and raised it as his own, and so Shih-te ("Picked up") was named. Shih-te.....more

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明徐渭榴實 軸

明徐渭榴實 軸

. In painting, he formed a style of his own, being gifted at all such subject matter as landscapes, figures.....more

189/280
明文從簡禮佛圖 軸

明文從簡禮佛圖 軸

masters of calligraphy and painting, adapting each to his own taste. He modelled his calligraphy after.....more

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明吳偉仙蹤侶鶴圖 軸

明吳偉仙蹤侶鶴圖 軸

, dry ink in this work represent a typical manner of his own. &*  吳偉(西元一四五九-一五○八年)湖北江夏人。字士英,號魯夫,更字次翁,又號小.....more

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明項德新秋江雲樹圖 軸

明項德新秋江雲樹圖 軸

. The refined and pale ink of Hsiang’s brush contains its own fluid quality. This work, inspired by Ni Tsan.....more

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明文徵明蕉陰仕女圖 軸

明文徵明蕉陰仕女圖 軸

-exemplified here. In his own inscription on the painting, Wen informs us that it was done on a spring.....more

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明文徵明倣古山水 軸

明文徵明倣古山水 軸

.) traditions to create his own style, thus inspiring many later generations.&*  文徵明(西元一四七○-一五五九年),江蘇長洲.....more

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唐周昉畫人物 卷

唐周昉畫人物 卷

beauties. He started by studying the style of Chang Hsuan, but later made changes to develop his own.....more

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