搜尋:Modern Style 在 書畫 分類當中

符合的藏品

明王寵書雜詩 冊

明王寵書雜詩 冊

草寫,但字字獨立,甚少連筆牽絲,筆勢凝重,具乾淨俐落之韻。其中轉筆處帶圓潤,收尾常帶反捺筆,顯露硬拙峻拔的筆調。 (20110710)&*Wang Chong (style names Lü.....more

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明董其昌臨褚遂良蘭亭敘 冊

明董其昌臨褚遂良蘭亭敘 冊

(modern Songjiang, Shanghai) was a Presented Scholar (jinshi) of 1588 who served up to the post.....more

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宋歐陽修集古錄跋 卷

宋歐陽修集古錄跋 卷

潤無窮。後人觀之,如見其清眸豐頰,進趨曄如也。」可謂形容盡妙。而歐公自云:「余因李邕書得筆法,然為字絕不相類云云。」今觀其書,於顏為近。&*Ou-yang Hsiu (whose style-name.....more

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明孫龍寫生 冊 柔桑戴勝

明孫龍寫生 冊 柔桑戴勝

as Sun T’ing-chen, style name Ts’ung-chi, sobriquet Tu-ch’ih, was a native of Wu-chin (modern Ch’ang.....more

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元陳琳溪鳧圖 軸

元陳琳溪鳧圖 軸

Lin, style name Chung-mei, was a native of Ch'ien-t'ang (modern Hangchow), Chekiang. His painting.....more

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宋崔白竹鷗圖 軸

宋崔白竹鷗圖 軸

南宋畫家所為。 (20110913)&*Cui Bo (style name Zixi), a native of Haoliang (modern Fengyang, Anhui), served.....more

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明徐賁廬山讀書圖 軸

明徐賁廬山讀書圖 軸

at poetry, he excelled at calligraphy as well as painting. In landscapes, he followed the style of Tung Y.....more

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明文徵明江南春圖 軸

明文徵明江南春圖 軸

was originally named Pi; later he took his style name Cheng-ming for his given name. Wen Cheng-ming.....more

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明李士達寒林鍾馗 軸

明李士達寒林鍾馗 軸

疑係後人託名之作。 &* Li Shih-ta (sobriquet Yang-huai) was a native of Wu-hsien (modern Suchou, Kiangsu) who.....more

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清艾啟蒙畫風猩 軸

清艾啟蒙畫風猩 軸

to fine-line style of Sichelbart’s Chinese contemporaries, Tsou I-kuei and Chiang T’ing-hsi. &* 艾啟蒙(西元一七0八.....more

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元趙孟頫書畫孝經 卷

元趙孟頫書畫孝經 卷

and strong, the strokes fluid and powerful. Judging from the style, this old attribution to Zhao.....more

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名繪集珍 冊 宋夏圭觀瀑圖

名繪集珍 冊 宋夏圭觀瀑圖

入,卻可顯示出十二世紀晚期,受南宋李唐山水畫風的影響。(陳階晉)&*Hsia Kuei, whose style name was Yü-yü, was a native.....more

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明沈周扁舟詩思圖 軸

明沈周扁舟詩思圖 軸

格特徵來看,似為沈氏五十三至六十歲之間的作品。 (20110913)&*Shen Zhou (style name Qi’nan; sobriquets Shitian and Baishiweng.....more

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明董其昌奇峰白雲圖 軸

明董其昌奇峰白雲圖 軸

, style name Hsüan-tsai, sobriquet Ssu-pai, was a native of Hua-t’ing, Kiangsu Province (modern.....more

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清郎世寧畫交阯果然 軸

清郎世寧畫交阯果然 軸

combined his previous training with studies of Chinese painting techniques to create a style fusing.....more

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