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符合的藏品

明商祚秋葵圖 軸

明商祚秋葵圖 軸

.). Following his grandfather’s style, he was known for tiger and plant-and-insect painting. Standing.....more

1186/1397
明戴進畫羅漢 軸

明戴進畫羅漢 軸

Chin’s middle years. 本幅 113.9x36.7公分、全幅 61.3公分 類型:繪畫 型式:靜態圖像 戴進 數位化執行單位:國立故宮博物院 明戴進畫羅漢 軸 故畫.....more

1187/1397
明宣宗畫花下貍奴圖 軸

明宣宗畫花下貍奴圖 軸

清新優雅的氣息。(20120407)&* Judging from the signature, this work was done in the first year of Xuanzong’s.....more

1188/1397
明劉度畫春山臺榭 軸

明劉度畫春山臺榭 軸

School painters as Li Ssu-hsun and Chao Po-chü. Liu Tu’s works are noted for their elegance.....more

1189/1397
明崔子忠畫蘇軾留帶圖 軸

明崔子忠畫蘇軾留帶圖 軸

talking. The artist’s use of brush and ink is elegant and bland. 本幅 81.4x50公分、全幅 71公分 類型:繪畫 型式:靜態圖像 崔.....more

1190/1397
明文徵明蕉陰仕女圖 軸

明文徵明蕉陰仕女圖 軸

Collection. The painting is imbued with a sense of harmony and grace; Wen’s ideal has been achieved.....more

1191/1397
元吳鎮後赤壁賦圖 軸

元吳鎮後赤壁賦圖 軸

as one of the figures in the boat. The site was immortalized by Su's odes composed after trips he.....more

1192/1397
明唐寅觀瀑圖 軸

明唐寅觀瀑圖 軸

of human figures, flowers and birds, and landscapes. T’ang Yin’s style-names were Tzu-wei and Po-hu; his.....more

1193/1397
明陸治玉蘭 軸

明陸治玉蘭 軸

Cheng-ming. Lu chih’s paintings have a distinct, individual style; his sketches from life.....more

1194/1397
明人畫普賢大士像 軸

明人畫普賢大士像 軸

, they are the supreme bodhisattvas. In the Avatamsaka (Hua-yen) sûtra, these two bodhisattvas.....more

1195/1397
明仇英觀榜圖 卷

明仇英觀榜圖 卷

candidates became licentiates and attained a Bachelor’s degree (hsiu-ts’ai). The Provincial Examination.....more

1196/1397
南朝宋陸探微五岳圖 卷

南朝宋陸探微五岳圖 卷

critics have said that Lu's style embodied the "Six Principles" of painting propounded by the sixth.....more

1197/1397
明仇英雙駿圖 軸

明仇英雙駿圖 軸

, the Tartars often attacked China's borders, so this work perhaps had a deeper meaning attached.....more

1198/1397
明陳淳崑璧圖 軸

明陳淳崑璧圖 軸

to the style of Wang Meng (1308-1385). And the style of Chen’s calligraphy in his inscription at the top.....more

1199/1397
明朱先草蟲 軸

明朱先草蟲 軸

on the ground below. Despite this simple arrangement and the common subjects, the artist's use of sketchy.....more

1200/1397

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