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明文徵明千巖競秀 軸
五０），為文徵明八十一歲之作。畫重巒飛瀑，二人樹下對坐，一童琴旁侍。設色溫雅，筆意秀婉。此幀紙狹而長，構景重疊而繁複。徵明晚年好作此類畫作，晚期吳派亦多受此影響。&*Wen Cheng-ming.....more
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明文嘉巖瀑松濤圖 軸
Wu School painter Wen Cheng-ming (1470-1559). A capable poet and a skilled calligrapher and painter.....more
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明文徵明倣王蒙山水 軸
with a complex composition layered high. Wen Cheng-ming often did such works in his later years. Late Wu School.....more
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明文徵明畫扇 冊 棘枝雙雀
間。構圖簡明，於曠遠寂寥中，而生趣靈動。 &*Wen Cheng-ming was a native of Ch’ang-chou in Kiangsu province. Although his.....more
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元吳鎮篔簹清影圖 軸
處畫風中竹梢一枝，構圖十分簡練，全以濃墨畫成，筆勁墨飽，顯得神采煥發。&*Wu Chen, a native of Chia-hsing in Chekiang Province.....more
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元吳鎮篔簹清影圖 軸
處畫風中竹梢一枝，構圖十分簡練，全以濃墨畫成，筆勁墨飽，顯得神采煥發。&*Wu Chen, a native of Chia-hsing in Chekiang Province.....more
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明吳彬文杏雙禽圖 軸
Wu Pin (fl. late 16th century) Ming Dynasty Wu Pin was a native of P’u-ti’en but later moved.....more
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明錢穀畫杏花喜鵲 軸
之遺韻。 &* Ch’ien Ku was a native of Wu-hsien, Kiangsu. His style name was Shu-pao, and he called.....more
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名畫琳瑯 冊 明文嘉石湖秋色
此為主題者甚多。本冊畫石湖秋景，雨後新霽，雲煙未收，樹石顯得蒼潤清麗。畫中之橋，名行春橋。山為楞伽山，山頂塔院名治平寺，又名楞伽寺。&*Wen Chia was the son of Wen.....more
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明人扇頭畫 冊 明陸治水墨山水
to learn directly from the great Wu School painter Wen Cheng-ming (1470-1559). Under Wen’s direction.....more
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明陸師道攜卷對山圖 軸
-chou, Kiangsu province. His style name was Tzu-ch’uan, his sobriquet Yüan-chou and Wu-hu. He.....more
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