符合的藏品

共找到 42 筆符合的資料

宋人溪山暮雪　軸

reveals traces of the “main central mountain” composition. However, it already departs from the Northern.....more

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reveals traces of the “main central mountain” composition. However, it already departs from the Northern.....more

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forms, and his painting style shows traces of foreign influence. In this work, amid snow-covered.....more

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for the stamens. The use of brush and ink is simple and light, as if the artist left behind no traces.....more

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and turning with traces of “flying white” broken brushwork inside. The technique is very refined.....more

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and rich, the stops and starts of the strokes along with the turning points clearly revealing traces.....more

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of land not revealing traces of brushwork for texturing. The painting combines the landscape.....more

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the traces of water dripping off a roof. The variety of ink tones is limitless, and the whole painting.....more

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and flowing quality. The round brushwork sometimes reveals strand-like traces of the brush tip, suggesting.....more

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with the master Wang Hui (1632-1717), turning to flowers instead. His style traces all the way back.....more

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Tingbiao has passed, his many traces remain in the Forbidden [City],” it is known that he died sometime.....more

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generation descendant of Wang Hsi-chih) and traces back to the Chin dynasty, the spirited and powerful.....more

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