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符合的藏品

清唐岱倣范寬畫幅 軸

清唐岱倣范寬畫幅 軸

Yüan-ch’i (1642-1715), he followed his own path using a pure and elegantly refined style.....more

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元方從義山陰雲雪 軸

元方從義山陰雲雪 軸

、峰巒都賦予不同的表現和質感。筆中飽含著水份,雲煙像是隨著水份在浮昇幻動。這幅畫的畫面雖然不大,卻表現出耐人尋味的墨韻。&*Fang Ts'ung-i was a native of Kuei-hsi.....more

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宋李成群峰霽雪 軸

宋李成群峰霽雪 軸

inscription on the mounting from the collector Kao Shih-ch’i mentions “Chien-ching Studio among.....more

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明陸治蔡羽書畫合璧 冊 虎丘圖

明陸治蔡羽書畫合璧 冊 虎丘圖

, to accompany a poem by Ts’ai Yü seeing off Ch’en Ch’i-chih. Although it is a record of an event.....more

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清高其佩八駿圖 軸

清高其佩八駿圖 軸

間閒聊。畫法則以指代筆,畫來形體雖與用筆無異,惟線條則較一般用筆尖削,敷染略具光影效果,馬之圓渾體形,是刻意強化處。 &* Kao Ch’i-p’ei (style name Wei-chih.....more

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明人畫幅集冊 冊 明王恆桃源圖

明人畫幅集冊 冊 明王恆桃源圖

and was admired by Tung Ch’i-ch’ang. This work was done on gold-flecked paper, giving the ink a most.....more

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明人畫扇 冊 明李流芳秋林晚景

明人畫扇 冊 明李流芳秋林晚景

of Ch’ien Ch’ien-i, and Li’s literary works were preeminent among the literati. Li was good.....more

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清馬元馭畫花卉 冊 桑椹蠶蛾

清馬元馭畫花卉 冊 桑椹蠶蛾

was Fu-hsi and his sobriquets were Ch’i-hsia and T’ien-yü shan-jen. He excelled in birds.....more

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宋趙昌四喜圖 軸

宋趙昌四喜圖 軸

neither the signature nor seals of the artist. Tung Ch'i-ch'ang (1555- 1636) wrote in an inscription.....more

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清張宗蒼石湖霽景 軸

清張宗蒼石湖霽景 軸

;an-ch’i. In 1751, he entered the capital and served in the inner court. Stone Lake is located 20.....more

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清唐岱秋林讀易圖 軸

清唐岱秋林讀易圖 軸

, modeling his landscapes after the style of Wang Yüan-ch’i (1642-1715). During the reign of the K.....more

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清唐岱孫祜合倣李唐寒谷先春 軸

清唐岱孫祜合倣李唐寒谷先春 軸

and emulated the style of landscape paintings by Wang Yüan-ch’i. Though the inscription claims.....more

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清張照書御製插秧吟 軸

清張照書御製插秧吟 軸

studied the style of Tung Ch'i-ch'ang. Later, he looked to the venerated traditions of Mi Fu and Yen.....more

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清鄒一桂畫墨梅 軸

清鄒一桂畫墨梅 軸

應皇帝旨意而畫,循規蹈矩不敢肆意放手,所以,作品多是用筆工整,用墨潔淨,著色穠艷,反失去一種平實眞率、自然生動的韻致。有時隨興戯筆的,卻有不少佳作。 &* Tsou I-kuei (tzu Y.....more

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清錢維城夏山欲雨 軸

清錢維城夏山欲雨 軸

-style method (hsieh-i) of depicting flowers after Ch’en Shu, and achieved fame as a painter. He.....more

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