搜尋:to fu 在 水墨 分類當中

符合的藏品

唐徐浩書朱巨川告身 卷

唐徐浩書朱巨川告身 卷

of the time. Since Hsü’s characters do not appear very harmonious, the Sung calligrapher Mi Fu.....more

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元顧安平安磐石 軸

元顧安平安磐石 軸

studied Chao Meng-fu's (1254-1322) writing styles. His ink bamboo painting were executed.....more

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元人春山圖 軸

元人春山圖 軸

styles of Dong-Ju (Dong Yuan and Juran) and the Two Mi’s (Mi Fu and Mi Youren). The ink tone.....more

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五代南唐董源洞天山堂 軸

五代南唐董源洞天山堂 軸

an awesome feeling of chill and shadow. Mi Fu praised Tung Yüan’s works, saying that his ridges.....more

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宋人枇杷猿戲圖 軸

宋人枇杷猿戲圖 軸

master of gibbon painting in the Northern Song, with Mi Fu praising him as “the one and only after.....more

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元趙奕畫大士像 軸

元趙奕畫大士像 軸

-hsing, in Chekiang province. The son of Chao Meng-fu, Chao I chose to lead a hermetic existence over.....more

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明仇英秋江待渡 軸

明仇英秋江待渡 軸

,” was a native of T’ai-ts’ang, Kiangsu. His style-name was Shih-fu; his sobriquet, Shih-chou. Originally.....more

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明仇英蕉陰結夏 軸

明仇英蕉陰結夏 軸

. 1494-1552) Ming Dynasty Ch’iu Ying (tzu shu-fu) was a native of T’ai-ts’ang, Kiangsu. He was born.....more

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明居節畫江南春 軸

明居節畫江南春 軸

Meng-fu and Lu Yü, were also excellent. Later generations prized his work highly, considering h.....more

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明唐寅臨水芙蓉圖 軸

明唐寅臨水芙蓉圖 軸

masters: in calligraphy he followed Chao Meng-fu, Li Yung and Yen Chen-ching; in painting Chou Ch’en.....more

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明仇英松亭試泉圖 軸

明仇英松亭試泉圖 軸

Shih-fu, was a native of T’ai-ts’ang in Kiangsu Province. He was of humble origins and worked.....more

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明陳汝言荊溪圖 軸

明陳汝言荊溪圖 軸

excelled at poetry and painting, being influenced by the landscape painting of Chao Meng-fu (1254-1322.....more

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明王紱畫鳳城餞詠 軸

明王紱畫鳳城餞詠 軸

Fu, a native of Kiangsu, was a scholar of poetry who served at the Wen-yüan Pavilion.....more

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明王紱淇渭圖 軸

明王紱淇渭圖 軸

」和「渭川千畝竹」之稱,本幅因以其為名。雖以遒勁的筆法,只畫竹梢一段,卻是密葉疏枝,俯仰向背,佈置得頗有巧思,可由小觀大,見千畝之勢。&*Wang Fu, a native of Wu-hsi.....more

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明仇英桐陰晝靜圖 軸

明仇英桐陰晝靜圖 軸

(style name) was Shih-fu and his hao (sobriquet) was Shih-chou. He was instructed by Chou Ch’en.....more

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