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清楊大章畫鳳凰梧桐　軸

to 1791, and he painted figures and birds-and-flowers in the fine-line manner. In ink and colors, Yang.....more

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-and-flowers. His surviving works in the latter category include both the fine-line and “sketching ideas.....more

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time. This album was done in 1618. Tung began free-copying Ch'u Sui-liang's Preface to the Orchid.....more

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at the same time as Cheng Zhengkui (1604-1676). Good at landscape painting, he learned from the style.....more

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(ruled line) paintings, and gave him the sobriquet Ku-yun ch'u-shih. In his use of brush and ink.....more

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) was a native of Lo-yang who was also known at the time as Lo-ch'uan hsien-sheng. Of noble and refined character.....more

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on the bank with a plantain lily before it. Shen Chou inscribed a four-line stanza of seven-character lines.....more

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“ruled line” painting often involves such complex subjects as buildings and boats. The method features.....more

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-hsia, Hupei. A wanderer in his youth, he was at one time employed as a servant in the home of Ch’ien.....more

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and was written at a time of compelling military concern, the line spacing from beginning to end.....more

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this line of T’ang Yin’s inscription on the painting we learn that it was done when he was in his.....more

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。&*This bird-and-flower painting in the “fine-line” style bears no signature or seal of the artist.....more

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line the curving banks of a stream as they chat, drink, or think. In the Orchid Pavilion is Wang.....more

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style at the time. He excelled at painting figures, birds-and-flowers, animals, and landscapes.....more

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