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清王原祁仿黃公望山水 軸

清王原祁仿黃公望山水 軸

’i was from T’ai-ts’ang in Kiangsu. His style name was Mao-ching, and his sobriquets were Lu-t’ai.....more

616/816
集古圖繪 冊 明陳惟允詩意圖

集古圖繪 冊 明陳惟允詩意圖

by the T'ang poetry of Meng Chiao. The brushwork is archaic and untrammeled, untainted by worldly car.....more

617/816
元明人詞翰 卷 王逢書五言古詩

元明人詞翰 卷 王逢書五言古詩

himself "Tsui-hsien yuan-ting" and "Hsi-mao-shan-jen." After the fall of the Yuan dynasty, Ming T'ai.....more

618/816
明呂紀畫草花野禽 軸

明呂紀畫草花野禽 軸

; Chi, style name T’ing-chen, sobriquet Yao-yü, was a native of Yin County, Chekiang. In the genre.....more

619/816
清王原祁華山秋色 軸

清王原祁華山秋色 軸

二歲以後畫。&*Wang Yuan-ch'i was a native of T'ai-ts'ang, Kiangsu. A grandson of Wang Shih-min (1592-1680.....more

620/816
清王原祁晴翠浮嵐 軸

清王原祁晴翠浮嵐 軸

) Lu-t’ai, a native of T’ai-ts’ang, Chiang-su province, was a grandson of the noted artist.....more

621/816
清弘?翠巘高秋圖 軸

清弘?翠巘高秋圖 軸

following Yang Sheng’s brushwork (Yang was a T’ang artist who initiated the use of the boneless method.....more

622/816
清元濟王原祁合作蘭竹 軸

清元濟王原祁合作蘭竹 軸

name Chu Juo-chi (but is perhaps better known by his style name Shih-t'ao). Wang Yuan-ch'i, a native.....more

623/816
宋范寬雪山蕭寺圖 軸

宋范寬雪山蕭寺圖 軸

and lances for a solemn, archaic brushwork. Although the later inscription by Wang T’o claims.....more

624/816
宋十二名家法書 冊 黃庭堅荊州帖

宋十二名家法書 冊 黃庭堅荊州...

中之頓性起伏較少,與其大行書略有差別。此牘曾入宋元秘府,後並入「三希堂法帖」,現收入「宋十二名家法書冊」中。&*Huang T'ing-chien (style name Lu-chih.....more

625/816
明周臣漁?圖 卷

明周臣漁?圖 卷

and figure painting. He based his style on the work of the Sung dynasty masters Li T’ang, Liu Sung.....more

626/816
明吳彬歲華紀勝圖 冊 浴佛

明吳彬歲華紀勝圖 冊 浴佛

archaic air. Wu Pin was a native of P’u-t’ien, Fukien, but spent most of his life in Chin-ling.....more

627/816
明吳彬歲華紀勝圖 冊 結夏

明吳彬歲華紀勝圖 冊 結夏

painting and calligraphy during the Wan-li reign era (1573-1620). A native of P’u-t’ien, he later settled.....more

628/816
清金廷標畫墨牡丹 軸

清金廷標畫墨牡丹 軸

,甚為生動。&*Chin T’ing-piao was from Wu-ch’eng (Wu-hsing, Chekiang). He excelled at renditions of human.....more

629/816
明祝允明詩帖 卷

明祝允明詩帖 卷

and highly talented. In calligraphy he adopted the virtues of Chin and T’ang calligraphers for a wide.....more

630/816

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