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明人便面畫冊(四) 冊 明胡德位茶梅寫生

明人便面畫冊(四) 冊 明胡德...

of painting, but the style of his paintings suggests that he was active around the end of the Ming Dynasty.....more

31/1501
民國張聿光人騎圖 冊頁

民國張聿光人騎圖 冊頁

, style name Ho-t’sand-t’ou, was a native of Shao-hsing, Chekiang. In his early years he painted.....more

32/1501
元趙孟頫書蘇軾稼說 冊

元趙孟頫書蘇軾稼說 冊

詹仲和之手。 原題「元趙孟頫書蘇軾稼說」。 (20120104)&* Zhan Zhonghe (style name Xihe, sobriquet Tieguan daoren) was also.....more

33/1501
元趙孟頫臨黃筌蓮塘圖 軸

元趙孟頫臨黃筌蓮塘圖 軸

lived in Wu-hsing in Chekiang province. His style name was Tzu-an and his sobriquet was Sung-hsü.....more

34/1501
元倪瓚溪亭山色圖 軸

元倪瓚溪亭山色圖 軸

devoid of people are all features associated with Ni Tsan’s style. However, the texture strokes.....more

35/1501
明謝時臣鹿鳴嘉宴圖 軸

明謝時臣鹿鳴嘉宴圖 軸

種皆妙。作屏障大幅,有氣慨而無絲理之病。樗仙山水出自沈周,本幅人物竹石芭蕉皆極似石田風貌,惟點苔過繁,筆力亦弱。&* Hsieh Shih-ch’en (style name Ssu-chung.....more

36/1501
元管道昇書孝經 卷

元管道昇書孝經 卷

and regular, and, as mentioned in the colophon by Wang Shih-chen (1526-1590), the style follows.....more

37/1501
宋人法書(一) 冊 宋范純粹書尺牘

宋人法書(一) 冊 宋范純粹書...

),結字有個人特色,行楷書用筆古雅有緻,深得北宋尚意書風之趣,又兼有晉人遺韻。此帖曾入藏於項元汴,上有千字文第七七八「鵾」字編號。 &*Fan Chuncui (style name Deru.....more

38/1501
名畫琳瑯 冊 宋范寬群峰雪霽

名畫琳瑯 冊 宋范寬群峰雪霽

後人增,本幅選自「名畫琳瑯」冊。 &*Fan K’uan (fl.early 11th cent.) was a native of Hua-yuan, Shansi. His style name.....more

39/1501
清諸升雪景竹石真跡 軸

清諸升雪景竹石真跡 軸

。 &* Chu Sheng was a native of Jen-ho in Chekiang province. His style name was Jih-ju and his.....more

40/1501
明祝允明書千字文 冊

明祝允明書千字文 冊

國立故宮博物院 故宮書畫錄(卷三),第一冊,頁75-76&* Zhu Yunming (style name Xizhe; sobriquets Zhisheng, Zhizhi shanren.....more

41/1501
清戴洪花鳥泉石 軸

清戴洪花鳥泉石 軸

style, and was one of the artists who worked on the famous hand scroll (now in the Palace Museum.....more

42/1501
清沈荃倣聖教序 軸

清沈荃倣聖教序 軸

,顯示出受米芾、董其昌影響後的面貌。(20100711)&* Shen Quan (style name Zhenrui, sobriquets Yitang and Chongzhai.....more

43/1501
清周亮工集名家山水 冊 清朱翰之疏林古寺

清周亮工集名家山水 冊 清朱翰...

)之間。全幅疏簡的筆墨,表現當時人對黃公望風格的理解。 (清周亮工集名家山水冊 第九開 20110609)&*Qichu (secular surname Zhu, style name Hanzhi.....more

44/1501
清唐岱倣范寬畫幅 軸

清唐岱倣范寬畫幅 軸

造型、山頂雜樹的布置與岩石皴法的使用、苔點細處等畫法,都可見范寬家數,但山形過於圓整,有點流於板滯的感覺。 &*Landscape in the Style of Fan K’uan T’ang.....more

45/1501
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