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元人法書　冊　倪瓚書詩五則

of worldliness. The characters here are thin yet strong, the forms slightly flattened. The structure is tight.....more

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and Ch'u Sui-liang."The brushwork of Tung's piece is elegant and straightforward and the structure.....more

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, the work throughout bears the structure and manner in Mi Fu’s (1052-1107) calligraphy, the brush.....more

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. In terms of character structure, the flat and horizontal forms derive from the manner of Zhong You.....more

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. The entire work was done in semi-cursive script, the character structure departing from the beautiful.....more

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structure is still solemn, but the brushstrokes have a certain beauty, giving the characters both.....more

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characters in semi-cursive script. The structure of the characters leans strongly in many different poses.....more

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of understanding in the structure of boats. Furthermore, based on the activities of the men.....more

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are not as writhing and the spatial structure not as boldly derived from nature. It nonetheless.....more

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