搜尋:so ch 在 水墨 分類當中

符合的藏品

明張宏百祿圖 軸

明張宏百祿圖 軸

是長壽之仙獸,且「鹿」「祿」「柏」「百」諧音,故題名「百祿」,以取富貴爵祿之意。 &* Chang Hung, tzu (style name) Chün-tu, hao.....more

61/122
清王武雪蕉圖 軸

清王武雪蕉圖 軸

卻喜其超理入神,因此後人時有雪蕉之作。 &* Wang Wu was a native of Soochow in Kiangsu province. His style name was Ch.....more

62/122
明仇英美人春思圖 卷

明仇英美人春思圖 卷

, "Erotic Themes and Romantic Heroines Depicted by Ch'iu Ying"一文中的《擣衣圖》及《美人春思圖》〉,《議藝份子》,第11期(2008年9月),頁9-25.....more

63/122
宋蘇軾尺牘 軸

宋蘇軾尺牘 軸

as Tzu-chan and Tung-p'o chü-shih. He passed the chin-shih examination in the Chia-yu era(1056.....more

64/122
清王原祁仿宋元人山水 冊

清王原祁仿宋元人山水 冊

-ch’i, tzu (style name) Mao-ching and hao (sobriquet) Lu-t’ai, a native of T’ai-ts’ang, Kiangsu.....more

65/122
明王問拾得像 軸

明王問拾得像 軸

that when his teacher, Ch'an master Feng-kan, heard a baby crying while walking on a path at Ch’ih-ch'eng.....more

66/122
宋四家法書 卷 宋蘇軾書次韻三舍人省上詩

宋四家法書 卷 宋蘇軾書次韻三...

Shih (style name Tzu-ch'an; sobriquet Tung-p'o) was a native of Mei-shan, Szechuan. He received his.....more

67/122
清惲壽平竹石枯槎圖 軸

清惲壽平竹石枯槎圖 軸

Province, followed the “boneless” (wash) manner of the Northern Sung artist Hsü Ch'ung-ssu (fl.....more

68/122
宋錢選荔枝圖 卷

宋錢選荔枝圖 卷

). In the early years of the Yuan dynasty, Ch'ien Hsuan was considered the leader of the so-called.....more

69/122
明仇英桐陰晝靜圖 軸

明仇英桐陰晝靜圖 軸

Trees Ch’iu Ying (ca. 1494-1552) Ming Dynasty Chiu Ying was a native of T’ai-ts’ang, Kiangsu.....more

70/122
宋人法書(三) 冊 宋范成大書尺牘

宋人法書(三) 冊 宋范成大書...

name for Szechuan. From 1175 to 1177, Fan Ch'eng-ta served as precfect of Ch'eng-tu, Szechuan, so.....more

71/122
清畫院畫十二月月令圖四月 軸

清畫院畫十二月月令圖四月 軸

娘,提著籃子,結伴而行,用袖子遮著雨。「蠶忙」,催促著婦女的腳步,她們都在忽忽的趕著。&*Occupations of the Twelve Months Painters of the Ch’ing.....more

72/122
無款豐綏先兆圖 軸

無款豐綏先兆圖 軸

above. Zhong Kui was known for his disfigured looks, so when he saw himself by chance in a mirror, he.....more

73/122
清金廷標鍾馗探梅 軸

清金廷標鍾馗探梅 軸

作,當即欲藉助鍾進士訪梅的情境,隱喻畫中人孤高不群的內在性格。&* Chin T’ing-piao (style name Shih-k’uei) was a native of Wu-ch’eng.....more

74/122
唐宋元畫集錦 冊 宋崔愨杞實鵪鶉

唐宋元畫集錦 冊 宋崔愨杞實鵪...

代的收藏印「都省書畫之印」,所以本件作品的時代,應不晚於宋。而且畫中的鵪鶉與螻蛄,均不先勾勒輪廓,直接以水墨點染,感覺十分質樸典雅。這種「落墨畫法」,在宋畫中尤其罕見而難得。&*Ts'ui Ch.....more

75/122
上一頁
第 5 頁
共 9 頁
下一頁

so ch 在 水墨 分類當中 的相關搜尋