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符合的藏品

唐搨顏真卿麻姑仙壇記 卷

唐搨顏真卿麻姑仙壇記 卷

the right and “shisuo wuyou 世所無有” in line fifteen. Since the forms in small-character calligraphy are .....more

61/275
宋元集繪 冊 宋艾宣寫生罌粟

宋元集繪 冊 宋艾宣寫生罌粟

. In this work, her brushwork is full and evenly rounded with some hesitation to the right-falling.....more

62/275
宋元集繪 冊 宋林椿寫生玉簪

宋元集繪 冊 宋林椿寫生玉簪

of the elegant blossoms. The signature of the artist is hidden unobtrusively in the lower right corner.&*1.....more

63/275
明人畫扇(元) 冊 明唐寅百畝家田

明人畫扇(元) 冊 明唐寅百畝...

40. His inscription reads from left to right. Nothing is known of Tseng Mou-hua, although another.....more

64/275
民國蕭俊賢青綠山水圖 軸

民國蕭俊賢青綠山水圖 軸

. A cascade in the upper right falls into the misty void. The style follows in the tradition.....more

65/275
漢富樂未央子孫益昌塼墨拓 軸

漢富樂未央子孫益昌塼墨拓 軸

, in which a continuous diamond-shape pattern on the left and right decorates the surface. The lines.....more

66/275
元黃公望谿亭山色 軸

元黃公望谿亭山色 軸

heading up and a stream winding down through the right side. Houses are scattered in the valleys.....more

67/275
元任仁發飲中八仙圖 卷

元任仁發飲中八仙圖 卷

in the lower right appears “shen 甚,” the 302nd character from the “Thousand Character Classic” used by Xiang.....more

68/275
明丁雲圖羅漢 冊 羅漢(九)

明丁雲圖羅漢 冊 羅漢(九)

, while the right and left sides have curving humpbacked stretchers. The table is characterized by everted.....more

69/275
清王翬圖繪 冊 大癡道人倣北苑夏山圖

清王翬圖繪 冊 大癡道人倣北苑...

. The composition of this work proceeds from the lower left to the middle right, gradually.....more

70/275
宋元集繪 冊 無款秋林策蹇

宋元集繪 冊 無款秋林策蹇

on the painting, but the postscripts point out that in the upper right hand corner of the composition.....more

71/275
宋元集繪 冊 元倪瓚竹枝

宋元集繪 冊 元倪瓚竹枝

the extent of his brush-strength, and thus suggests his skill in calligraphy. The right lower corner.....more

72/275
名畫薈萃 冊 元黃公望山水

名畫薈萃 冊 元黃公望山水

“Dachi,” which is a later spurious addition. The rocks in the lower right corner and the large alum.....more

73/275
宋元明集繪 冊 元黃公望野彴吟節

宋元明集繪 冊 元黃公望野彴吟...

on the slopes, with the trunks of those to the right being tall and straight. The middleground is an expansive.....more

74/275
宋眉山蘇氏三世遺翰 冊 宋蘇軾尺牘

宋眉山蘇氏三世遺翰 冊 宋蘇軾...

that lose the harmony. The right work, written on ornamental paper, is rich and smooth. The left one.....more

75/275
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