搜尋:painting 在 水墨 分類當中

符合的藏品

宋燕文貴秋山琳宇圖 軸

宋燕文貴秋山琳宇圖 軸

, a Painter-in-Attendance in the Painting Academy.Through Kao I, he entered the Painting Academy.....more

166/1780
元人畫獵騎圖 軸

元人畫獵騎圖 軸

). However, the brushwork in this painting is relatively delicate. This painting has previously been.....more

167/1780
宋趙伯駒漢宮春曉 軸

宋趙伯駒漢宮春曉 軸

of the well-known artist Chao Ling-jang. He excelled in painting landscape, figures and architecture.....more

168/1780
明文嘉畫瀛洲仙侶 軸

明文嘉畫瀛洲仙侶 軸

was Wen-shui. Noted for his poetry, calligraphy and painting, Wen Chia particularly excelled.....more

169/1780
明朱芾蘆洲聚雁圖 軸

明朱芾蘆洲聚雁圖 軸

various official positions. He excelled in painting wild geese and reeds, and he was able to capture.....more

170/1780
明人花下雙鴛圖 軸

明人花下雙鴛圖 軸

ducks nestled beneath its branches. The artist has combined in his painting the notion of prosperity.....more

171/1780
宋人桐實修翎 軸

宋人桐實修翎 軸

。&*The painting depicts a brilliant green bird perched on a Wu-t'ung branch. The bird bends its head to pree.....more

172/1780
名畫琳瑯 冊 明項元汴墨蘭

名畫琳瑯 冊 明項元汴墨蘭

-wang and Ni Tsan. This painting depicts graceful orchids grow from behind a rock. It is done.....more

173/1780
明董其昌秋林書屋圖 軸

明董其昌秋林書屋圖 軸

. He excelled at painting and calligraphy and was an excellent connoisseur. The brushwork in his.....more

174/1780
清王原祁畫松壑流泉 軸

清王原祁畫松壑流泉 軸

。&*The experienced use of the brush suggests that this painting was done during Wang Yüan-ch’i’s late.....more

175/1780
明王維烈雙喜圖 軸

明王維烈雙喜圖 軸

, was a native of Suchou, Kiangsu. He learned painting techniques from Chou Chih-mien.....more

176/1780
清鄒一桂畫菊 軸

清鄒一桂畫菊 軸

painting, in which he arranged flowers, twigs, leaves and branches in artful and yet natural.....more

177/1780
清郎世寧萬壽長春 軸

清郎世寧萬壽長春 軸

the Jesuit order as a novitiate, and his early training also included painting and architectural.....more

178/1780
宋元明人合璧 冊 無款松藤猿戲

宋元明人合璧 冊 無款松藤猿戲

intertwined wisteria, rises to the right as if emerging beyond the painting-indeed creating.....more

179/1780
清程琳畫四時花卉 冊 牡丹

清程琳畫四時花卉 冊 牡丹

花朵,和鮮綠的葉子。鮮麗的色彩並不一定落俗,它為本幅帶來富麗與清新的感覺。 &*Peony Ch’eng Lin (18th century) Ch’ing Dynasty This painting.....more

180/1780

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