搜尋:pai ch 在 水墨 分類當中

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明董其昌臨十七帖 卷

明董其昌臨十七帖 卷

方式,不盡依照原本,每有誤字漏字現象。結字大都拉長,筆法則多變方為圓,變鈍為尖。然形貌容或略有出入,右軍之瀟灑優雅,卻未減分毫。&*Tung Ch'i-ch'ang (1555-1636.....more

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明丁雲圖羅漢 冊

明丁雲圖羅漢 冊

. In the album, the outlines of the human figures are done in the pai-miao (plain-line) manner and appear.....more

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明董其昌臨張旭郎官壁記 軸

明董其昌臨張旭郎官壁記 軸

奧妙,求其神似於不似間。本幅臨張旭郎官壁記,略得張書之意,結體用筆,則見徐浩影響。&*Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing.....more

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清金廷標瑤圃採芝圖 軸

清金廷標瑤圃採芝圖 軸

(tzu Shih-k’uei) was a native of Wu-ch’eng, Chekiang. Once when the Ch’ien-lung Emperor travelled.....more

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清金廷標吹簫召鶴 軸

清金廷標吹簫召鶴 軸

銳的小斧劈皴。全幅頗受唐寅影響。 &* A native of Wu-ch’en, Chin T’ing-paio, tzu (style name) Shih-kuei, was a skilled.....more

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清金廷標松陰牧馬 軸

清金廷標松陰牧馬 軸

. He presented an album of Lohans painted in the pai-miao (outline drawing) style to the Ch’ien-lung.....more

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明關思曲?清音 軸

明關思曲?清音 軸

穿平坡房舍,逕接上方遠景瀑布。觀賞者彷若漫步其間,感覺親切。 &* Kuan Ssu or Kuan Chiu-ssu (tzu Chung-t’ung; hao Hu-pai.....more

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明宋旭雲巒秋瀑圖 軸

明宋旭雲巒秋瀑圖 軸

paintings in the Pai-ch’iieh monastery were considered exceptionally marvellous. This work was done in 1583.....more

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明董其昌倣張僧繇白雲紅樹 卷

明董其昌倣張僧繇白雲紅樹 卷

、硃砂、汁綠和赭墨交相點畫,筆觸輕盈爽朗,施色鮮麗而不傷雅秀。幅末自題云:「張僧繇沒骨山,余每每倣之,然獨以此卷為愜意,蓋緣神怡務閒時所作耳。」其自許如此。 &* Tung Ch'i-ch'ang.....more

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明董其昌論書 冊

明董其昌論書 冊

采理論,即收錄於此冊。&*Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing, Kiangsu province. His style.....more

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明董其昌論畫 冊

明董其昌論畫 冊

近七年。是年董氏於江南各處遊歷,四月下旬以羊毛畫筆書此冊,論書理,品書跡,評書家。其以楞嚴八還義喻書法之精采理論,即收錄於此冊。&*Tung Ch'i-ch'ang (1555-1636.....more

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清唐岱風雨歸舟圖 軸

清唐岱風雨歸舟圖 軸

-?) Ch’ing Dynasty T’ang Tai was a native of Manchuria, member of the Cheng-pai banner. His style name.....more

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明董其昌書杜詩 冊

明董其昌書杜詩 冊

收斂。縱橫收放間,智永歐虞之風依稀可見。&*Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing, Kiangsu province. His.....more

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明文徵明花卉 冊 洛浦凌波

明文徵明花卉 冊 洛浦凌波

Wen Cheng-ming (1470-1559) Ming Dynasty (1368-1644) Wen Cheng-ming was a native of Ch’ang-chou.....more

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清郎世寧畫白海青 軸

清郎世寧畫白海青 軸

and especially of horses. Pai-hai-ch’ing is a well-prized kind of falcon, noted especially for its fierceness.....more

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