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符合的藏品

元倪瓚楓落吳江圖 軸

元倪瓚楓落吳江圖 軸

鋒轉側,皴多染少,故皴筆特覺清勁。&*Ni Tsan's subject matter is very simple, but the brushwork is superb.....more

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宋陳居中文姬觀獵圖 卷

宋陳居中文姬觀獵圖 卷

of the Eastern Han. She was captured by Hsiung-nu invaders and lived for12 years in captivity before.....more

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元倪瓚春雨新篁 軸

元倪瓚春雨新篁 軸

暗寄故國之思,復因逸筆簡率,時人乃得於畫幅空處題贊抒懷,益增作品畫外之趣。此幀墨竹題語多達十則,即為文人畫的具體印證。&*Ni Tsan, a native of Wu-hsi, Kiangsu.....more

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元倪瓚竹樹野石 軸

元倪瓚竹樹野石 軸

竹 寒林.枯樹 奇石 國立故宮博物院 石渠寶笈續編(獅子林),第七冊,頁4028 &*故宮書畫錄(卷五),第三冊,頁223-225 &*故宮書畫圖錄,第四冊,頁281-283&*Ni Tsan.....more

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明崔子忠雲林洗桐圖 軸

明崔子忠雲林洗桐圖 軸

) tree grew in the Yüan dynasty master Ni Tsan’s (1301-1374) garden. As Ni Tsan was devoted.....more

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明文徵明影翠軒圖 軸

明文徵明影翠軒圖 軸

Chou. These two artists along with Ch’iu Ying nd T’ang Yin are the Four Great Master of the Ming.....more

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明陸師道臨文徵明吉祥庵圖 軸

明陸師道臨文徵明吉祥庵圖 軸

’s landscapes evince the serene placidity of those of Ni Tsan (131? -1374) and the subtle beauty.....more

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明文從簡禮佛圖 軸

明文從簡禮佛圖 軸

the T’ang master Li Yung and derived his landscape style from Ni Tsan and Wang Meng. This painting.....more

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明陳汝言荊溪圖 軸

明陳汝言荊溪圖 軸

Ni Tsan and Wang Meng, it employs the “one river, two banks” format and follows the Five Dynast.....more

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明王紱畫山亭文會圖 軸

明王紱畫山亭文會圖 軸

at court. He followed the styles of the Yüan masters Ni Tsan and Wang Meng and specialized.....more

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明王紱松亭高士圖 軸

明王紱松亭高士圖 軸

and refined harmony of Wang Meng and Ni Tsan. This painting shows serried peaks rising above.....more

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明倪端捕魚圖 軸

明倪端捕魚圖 軸

,恰與右邊江水的空曠虛迷形成強烈對比。&*Netting Fish Ni Tuan (mid-15th c.) Ming Dynasty Ni Tuan, a native of Hangchow.....more

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明杜瓊師林圖 軸

明杜瓊師林圖 軸

the spare beauty of Ni Tsan’s (1301?-1374) works. A narrow path behind the buildings leads to a small.....more

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明項德新秋江雲樹圖 軸

明項德新秋江雲樹圖 軸

. The refined and pale ink of Hsiang’s brush contains its own fluid quality. This work, inspired by Ni Tsan.....more

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明文從簡畫水面聞香 軸

明文從簡畫水面聞香 軸

landscape paintings after those of Ni Tsan and Wang Meng. Depicting a lotus pond on a clear summer day, two.....more

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