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明丁雲鵬廬山高　軸

Yün-p'eng (style name Nan-yü; and sobriquet Shen-hua chü-shih) was a native of Hsiu.....more

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specialty was landscapes, and although he was heavily influenced by Li Ch'eng, Kuo Hsi developed his own.....more

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style name was Te-ch’eng, his sobriquets Wu-feng, Pao-sheng and She-shan lao-nung. He followed Wang.....more

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. At ease, he strikes a pose of utter leisure. Appearing inebriated, the Ch'ien-lung Emperor (r.1736-1795.....more

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of the Six Gentleman of P’i-ling. Considered one of the Six Masters of Early Ch’ing, he is ranked.....more

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Masters of the Early Ch’ing. Yün Shou-p’ing’s late works were mostly flowers in the “sketching.....more

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. Although heavily influenced by Li Ch’eng, he nevertheless had his own style. Kuo Hsi authored.....more

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Li Erh and style named Tan. He was from the state of Ch'u in the Spring and Autumn period during.....more

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]. " Ou-yang was a very traditional calligrapher, being deeply influenced by the styles of Yen Chen-ch.....more

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)&*The title of this work was given by the editors of the Ch'ing dynasty imperial art catalogue Treasured.....more

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對象。本件清高宗雖以行書寫蘇軾〈硯銘〉，然而卻不見蘇軾特有的結字與豐腴的筆法，顯然是出於己意之作，仍可看出乾隆傳承自王羲之的書法風格。 &*Kao-tsung (Aisin Gioro Hung-li.....more

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)&*The title of this work was given by the editors of the Ch'ing dynasty imperial art catalogue Treasured.....more

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