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符合的藏品

清王原祁倣倪黃山水 軸

清王原祁倣倪黃山水 軸

。 &* Wang Yűan-ch’i (style-name Mao-ch’ing; sobriquet Lu-t’ai) was a native of T’ai-ts’ang, Kiangsu.....more

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清鄒一桂畫盎春生意 軸

清鄒一桂畫盎春生意 軸

知老人。雍正五年登進士,官至禮部侍郎加尚書銜。著有小山畫譜,工畫花卉,得自家學,作品特色,分枝布葉條暢自如,著色明淨,清雅冶艷兼而有之,惟平素皆應制之作,執規循矩,不敢逾越方圓之外。&*Tsou I.....more

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明董其昌論書 冊

明董其昌論書 冊

采理論,即收錄於此冊。&*Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing, Kiangsu province. His style.....more

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明文徵明書太上常清靜經 冊

明文徵明書太上常清靜經 冊

Classic and The Yueh-i Essay to create a warm, mature manner with a slanted brush and sharp.....more

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明董其昌論畫 冊

明董其昌論畫 冊

近七年。是年董氏於江南各處遊歷,四月下旬以羊毛畫筆書此冊,論書理,品書跡,評書家。其以楞嚴八還義喻書法之精采理論,即收錄於此冊。&*Tung Ch'i-ch'ang (1555-1636.....more

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清唐岱風雨歸舟圖 軸

清唐岱風雨歸舟圖 軸

Court. A student of Wang Yüan-ch’i, his landscape scenes are imbued with a remote and profoundly.....more

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清鄒一桂畫藤花 軸

清鄒一桂畫藤花 軸

屬宮廷應制而畫,作畫態度,循規蹈矩,不敢稍意逾越,因此,用筆工細,著色穠艷,特別具有一種精美富麗的氣息。 &* Tsou I-kuei was style-named Yüan-pao.....more

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清董邦達仿倪瓚?林含秀 軸

清董邦達仿倪瓚?林含秀 軸

and painting and in his landscape paintings he was a follower of Wang Yüan-ch’i. He excelled at using.....more

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清鄒一桂歲朝圖 軸

清鄒一桂歲朝圖 軸

品多為應制之作,循規蹈矩,故用筆工整,著色穠艷。此畫長青盆松,玉磬,寓意萬年吉慶。尚有梅瓶及四蟹緣瓶而升,諧音「四海昇平」之意。&* Tsou I-kuei was a native of Wu.....more

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清程志道眉香萬年 冊

清程志道眉香萬年 冊

to the same school as Wang Yüan-ch’i, but in actuality Wang Hui had very deep influence on him. His.....more

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藝林清賞 冊 清瑛寶畫荷

藝林清賞 冊 清瑛寶畫荷

, he gained great fame. He also claimed that he was the first finger-painter after Kao Ch’i-p’ei.....more

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藝林清賞 冊 清朱璨英畫杏花

藝林清賞 冊 清朱璨英畫杏花

scene. There is a short inscription on the painting which reads, “In 1822 I have painted the poetic.....more

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明董其昌書千文 冊

明董其昌書千文 冊

氏時年五十七歲,自福建副使辭官已年餘,潛心藝事,書畫有成,「吾書因生而得秀色」一語即此期之自評。本冊參合智永虞顏之筆法字勢,蘊含自有之清朗疏秀風神,是董氏中期傑出之作。&*Tung Ch'i-ch.....more

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明董其昌臨爭坐位帖 冊

明董其昌臨爭坐位帖 冊

藏此帖關中本,刻入戲鴻堂帖中,並於晚年一臨再臨,其臨本僅本院收藏即已有三本,其書風正如董氏所謂:「於鬱屈瑰奇之中,自具柔情卓綽約態。」&*Tung Ch'i-ch'ang (1555-1636.....more

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明董其昌臨爭坐位帖 冊

明董其昌臨爭坐位帖 冊

本院收藏即已有三本,其書風正如董氏所謂:「於鬱屈瑰奇之中,自具柔情卓綽約態。」&*Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing.....more

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