搜尋:dRy 在 水墨 分類當中

符合的藏品

清王原祁秋山圖 軸

清王原祁秋山圖 軸

mountain form. This work in dry brushwork delineates the outlines of rocks and trees for the mountains.....more

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清周亮工集名家山水 冊 明程正揆泉石林巒

清周亮工集名家山水 冊 明程正...

Ch’i-ch’ang (1555-1636). The artist has used a blunt brush and pale dry inks to execute.....more

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清王原祁仿宋元人山水 冊

清王原祁仿宋元人山水 冊

with a dry brush. Finally, he would add highlights and emphasis with dark black ink. Thus when looked.....more

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明徐賁獅子林圖 冊

明徐賁獅子林圖 冊

the famous gardens of Soochow. The entire set was painted in monochrome ink. Hsü used a dry brush.....more

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清惲壽平畫山水 冊 高樹村居

清惲壽平畫山水 冊 高樹村居

with literati painting traditions of the Song and Yuan dynasties. Dry brushwork briefly outlines the mountain.....more

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明吳偉仙蹤侶鶴圖 軸

明吳偉仙蹤侶鶴圖 軸

, dry ink in this work represent a typical manner of his own. &*  吳偉(西元一四五九-一五○八年)湖北江夏人。字士英,號魯夫,更字.....more

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明文嘉仿沈周廬山詩畫 軸

明文嘉仿沈周廬山詩畫 軸

. Quite differently, Wen used dry brush strokes to draw the contours of the mountain and rocks.....more

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唐王維千岩萬壑 卷

唐王維千岩萬壑 卷

名盛於開元、天寶間,書畫特臻其妙。工草隸,尤工畫山水,筆墨宛麗,氣韻高清,畫中極富詩意。&*This handscroll was executed with rapid, dry strokes.....more

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明文徵明畫竹 冊

明文徵明畫竹 冊

and dry ink. The variety of ink tonality and brushwork is tremendous. From Wen’s inscription, this a.....more

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清王翬倣倪瓚畫山水 軸

清王翬倣倪瓚畫山水 軸

, rocks, and earthy hillocks by using dry brushwork, light ink, and angular texture strokes. In addition.....more

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清王原祁仿黃公望山水 軸

清王原祁仿黃公望山水 軸

of the mountain forms are light, with much of their surfaces done in dry texturing to which moss.....more

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清王原祁雲壑流泉圖 軸

清王原祁雲壑流泉圖 軸

of dry and rubbed brush style. Bland ink and roasted ink are juxtaposed in layers to add depth.....more

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五代南唐李坡風竹 軸

五代南唐李坡風竹 軸

with the scorched ink and dry brushwork, appear more similar to the techniques of a Yüan dynasty.....more

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清王鑑倣黃公望山水 軸

清王鑑倣黃公望山水 軸

blue, rattan yellow, and vegetable green as only slanted dry brushwork renders some of the rocks.....more

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清李世倬對松山圖 軸

清李世倬對松山圖 軸

was extremely skillful and elegant. He liked to spread dry ink across the surface of a painting.....more

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