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符合的藏品

元人說經圖 軸

元人說經圖 軸

disciples Ânanda and Mahâkâšyapa stand on Šàkyamuni's left and right. In terms.....more

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元人說經圖 軸

元人說經圖 軸

of the mystic positions. The two attendant disciples Ânanda and Mahâkâšyapa stand on Š.....more

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元高克恭雨山圖 軸

元高克恭雨山圖 軸

來,空氣濕潤,更加倍促使本圖能表現雨之濛濛情調。&*In his landscapes, Kao K'o-kung emulated the impressionistic brushwork.....more

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元陳琳畫寒林鍾馗 軸

元陳琳畫寒林鍾馗 軸

and calligraphy. Chung K'uei holds an official tablet and looks over his shoulder at the trees, which (along.....more

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元人說經圖 軸

元人說經圖 軸

. The two attendant disciples Ânanda and Mahâkâšyapa stand on Šàkyamuni's left.....more

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五代南唐巨然松巖蕭寺 卷

五代南唐巨然松巖蕭寺 卷

of Chung-ling (present Nanking), Chü-jan was a monk at the K'ai-Yüan Temple. After.....more

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明沈士充畫郊園十二景 冊 掃花菴

明沈士充畫郊園十二景 冊 掃花...

was painted for Mr. Yan-k’e. It is possible that the country garden depicted in the album was the home.....more

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清蔣廷錫桂花 軸

清蔣廷錫桂花 軸

-and-flowers during the reign of the K’ang-hsi emperor (r. 1662-1722). This painting in the “boneless.....more

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清唐岱倣王蒙山水 軸

清唐岱倣王蒙山水 軸

’ang Tai (17th-18th century) Ch’ing dynasty T’ang Tai (active during the K’ang-hsi and Ch’ien-lung.....more

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鏤繪集錦 冊 鶺鴒紅蓼

鏤繪集錦 冊 鶺鴒紅蓼

,將瞬間發生的情景緙織的維妙維肖。緙織精密,作風沈靜寫實,有宋代花鳥冊頁畫意。本幅為「鏤繪集錦冊」第六幅。 &*Chu K’o-jou, also named Ch’iang.....more

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清錢陳群書清高宗御製幸避暑山莊詩上冊 冊

清錢陳群書清高宗御製幸避暑山莊...

「煙波致爽」,畫四圍秀嶺,十里澄湖,雲山勝地。同時展出者為避暑山莊詩刻本,三十六景皆配以銅版畫,稿樣即出於手繪本。 &*The poems were composed by the K’ang-hsi.....more

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元高克恭雲橫秀嶺 軸

元高克恭雲橫秀嶺 軸

、米友仁以點為主的平淡風格,但本畫氣勢雄渾的大山,則已融入北宋巨障山水,畫法也多採直接的素描,可見他對既有典範規矩的開放態度。&*Kao K'o-kung, of Uighur descent from.....more

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清冷枚人物畫幅 軸

清冷枚人物畫幅 軸

figures and scenes from life, he served at the court of Emperor K’ang-hsi from 1703 until 1717. Leng.....more

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清金廷標絲綸圖 軸

清金廷標絲綸圖 軸

was Shih-k’uei. He was a portraitist, but was also skilled at figures, flowers, and landscapes. In 1762.....more

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清冷枚耕織圖 冊 攀花

清冷枚耕織圖 冊 攀花

Mei was a court painter under the K'ang-hsi Emperor. He painted the album from which this leaf comes.....more

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