符合的藏品

共找到 144 筆符合的資料

宋范寬雪山蕭寺圖　軸

his generous (K’uan) nature. In landscape painting, he initially followed the styles of Li Ch’eng (919.....more

136/144

to actually capture its very disposition and nature. The three characters of the title were written.....more

137/144

. The simplicity of this far distance arouses a peaceful view of nature, and a longing in the heart.....more

138/144

to actually capture its very disposition and nature. The three characters of the title were written.....more

139/144

. The simplicity of this far distance arouses a peaceful view of nature, and a longing in the heart.....more

140/144

where atmosphere (energy; ch'i) flows, collects, and dissipates—reflecting the impermanence of nature.....more

141/144

are not as writhing and the spatial structure not as boldly derived from nature. It nonetheless.....more

142/144

included views of nature. Judging from the style, this was probably done by a Ming (1368-1644) court.....more

143/144

eyes, plump face, and congenial nature." Ou-yang Hsiu himself said of his calligraphy that, "I have.....more

144/144

第 10 頁

共 10 頁