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符合的藏品
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明陸治練川草堂圖 卷
of the stage in which Lu’s brushwork had already achieved a distinct form. &*1.王耀庭、張華芝，〈明陸治練川草堂圖〉，收入王.....more
- 256/287
元人法書 冊 倪瓚書詩五則
to Wuxi, Jiangsu) had the style name Yuanzhen and the sobriquet Yunlin. With his simple and plain.....more
- 257/287
元人法書 冊 楊維禎書晚節堂詩
. Yang Wei-chen wrote this ode on high quality paper with good ink when he was sixty-six after he had.....more
- 258/287
唐褚遂良摹王羲之長風帖 卷
of Yü Shih-nan (558-638), the Emperor T'ai-tsung complained that he had no one to discuss.....more
- 260/287
清王原祁仿黃公望秋山 軸
the inscription, Wang states that he never saw the original by Huang Kung-wang, but his grandfather had.....more
- 261/287
清王原祁仿黃公望筆意 軸
. The trees and mountains are freely painted, as if the artist had not considered them carefully. But Wang.....more
- 262/287
花卉畫冊 冊 明陳繼儒梅花
with monochrome ink. Ch’en Chi-ju’s landscapes also had a vast atmosphere to them. Tung Ch’i-ch’ang once.....more
- 263/287
明董其昌奇峰白雲圖 軸
theories had a profound influence on Ch’ing dynasty painters. In this simple village scene, the artist.....more
- 266/287
清王鑑倣黃公望煙浮遠岫圖 軸
in their relative compactness or lack of it. This scroll was painted in 1675 when Wang Chien had already reached.....more
- 267/287
清王時敏倣王蒙山水 軸
工，學王蒙甚得其穩重蒼鬱之趣。此幀成於丁未（1667），時年王時敏七十五歲。 (20110913)&*Wang Shimin, a native of Taicang in Jiangsu, had.....more
- 268/287
清王翬倣王蒙秋山讀書圖 軸
imitators of his works often did paintings of landscapes in these two seasons. Here, after Wang Hui had.....more
- 269/287
清王原祁華山秋色 軸
of the Early Qing. This painting, done after the artist had visited Mount Hua, reveals overlapping.....more
- 270/287