題名:許連成門神彩繪研究
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- 資料類型：
- 來源資料庫:學位論文
- 著作者：
- 創作者名稱:黃佳慧
- 主題與關鍵字：
- 主要分類:神鬼傳說
- 中文關鍵詞:臺灣
- 中文關鍵詞:民間傳說
- 中文關鍵詞:許連成
- 中文關鍵詞:門神
- 中文關鍵詞:彩繪
- 外文關鍵詞:Shu Lien-Cheng''s
- 外文關鍵詞:Oil Paintings
- 外文關鍵詞:Taiwan
- 外文關鍵詞:traditional paintings on the main gates of temples
- 描述：
- 頁碼:144
- 中文摘要:許連成為橫跨二十世紀至二十一世紀初期的彩繪匠師，西元1919（大正8）年生於台北大橋町（現今大稻埕），西元2002（民國91）卒於台北縣三重市，享年85歲。許連成擅長建築彩繪、茶箱彩繪、糊紙、掛軸神像、神明彩畫、開面，以及醮壇的製作等。13歲起向父親許幼、祖父許章瑞習藝， 18歲出師後協助家中彩繪事業，因此彩繪生涯深受家族影響。許連成主要以建築彩繪、掛軸神像聞名於世，作品多樣而產量豐富，多以分布北部為主。其技法由祖先傳承自大陸，隨著遷播到台灣生根、繼而成長。 本文內容如下： 第一章為緒論，為撰寫之動機及彩繪相關研究之文獻探討。 第二章為司傅背景介紹，介紹許連成個人生平與作品分佈。 第三章為門神類型與背景介紹，對於作品的整理與分析以及背景上的介紹。第四章為門神畫作分析，以施作、形式與風格作為本章分析的要點。 第五章為結論，分別就習藝與執業的特徵、工藝與美學上的價值與意涵與其畫作的定位等項目作分析與定義。 本文希望藉由司傅相關作品之研究建立與門神彩繪之繪畫體系，因此筆者以許連成的生平為起點展開一系列研究，並盼能藉此管窺北部建築彩繪工藝發展史之究竟。
- 英文摘要:Shu Lien-Cheng was a craftsman who across 20th to 21th centuries. At 1919, he was born in Taipei, dead at 2002 in San-chun , all his life about 85 years old. Shu Lien-Cheng be good at traditional painting of Temple, tea box colored drawihg, paperhanging, idol of hanger shaft , gods of color painting, drawing face（開面）, and Chiao altar （醮壇）fabrication ,ect.He learned painting with his father Shu yo and grandfather Shu Chang-Ray when 13 years old. Finish one''s learning at 18 year old, he choose to Assistance family property so he felt that his family had great affection to his technique. Shu Lien-Cheng as a Traditional paintings of Temple and hanger shaft idol craftsman rise in the world.His work have multiplicity and output is abundant, and so many work are distribute at north of Taiwan. It technique inherits since continent by ancestor, along with move to Taiwan and take root, then grow up. Text content as follow : The 1st chapter is for exordia, for write motivation and traditional painting of Temple relative research document inquire into. The second chapter is background introduce, introduce about Shu Lien-Cheng ''s life and work''s distributions. The third chapter for traditional paintings on the main gates of temples''s type with background introduces, introduction about work''s collation ,analysis, and background . The fourth chapter is for Traditional paintings On The Main Gates of Temples''s fecit analysis,use Construction, form and style as the key point of the chapter analysis. The fifth chapter is for conclusion, from learning skill and engage in a profession''s characteristic difference, analysis and Definition with craft''s and aesthetically''s value and meaning , fecit''s orientation ,ect. The text hope to establish with Traditional paintings On The Main Gates of Temples''s system by means of by craftman''s relative work research, so I look for all his''s life of Shu Lien-Cheng for a series of research. Hope this research can See through what''s the history of development of Traditional paintings of temple in Taipei.
- 出版者：
- 主要出版者:國立臺北藝術大學傳統藝術研究所
- 出版地:臺北市
- 日期：
- 出版日期:2004
- 語言：
- 語文:中文
- 管理權：
- 典藏單位:國家圖書館
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