無量壽佛會慶圖 冊 海洞潮音
推薦分享
資源連結
連結到原始資料 (您即將開啟新視窗離開本站)後設資料
- 資料識別：
- 故畫003617N000000008
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 主題與關鍵字：
- 江河、湖海 雲 觀音 善才、龍女 松 藤蘿 鸚鵡
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 49.1x41.5公分、對幅 49.1x41.5公分、全幅 57.6x95公分
- 關聯：
- 故宮書畫錄（卷八），第四冊，頁168&*這是「無量壽佛會慶圖」冊的第八幅，畫觀音菩薩在海潮音洞顯聖的景象。海潮音洞位於浙江普陀山，是觀音菩薩常現靈蹟的地方。畫中的海浪澎湃，南海觀音身穿白衣，乘著從潮音洞湧現的祥雲而來，轉身回首，拿著楊枝下灑能救眾生疾苦的甘露水。祂身前合掌禮拜的是時常在普陀山出沒的善財童子，身後則有一隻白色小鳥飛舞，它就是《鶯哥孝義傳》所說，跟隨南海觀音菩薩到普陀山學佛的鶯哥。&*This, the 8th leaf from the album “In Celebration of the Amitābha Buddha,” shows Kuan-yin at Tidal Sound (Hai-ch’ao-yin) Cave. The cave is located at Mt. Potala (P’u-t’o), Chekiang, and is said to be where Kuan-yin is often sighted. Among the waves, the South Sea Kuan-yin wears a white robe as she stands on auspicious clouds emanating from Tidal Sound Cave. Looking back, she holds a willow branch to spread the water from the vase and alleviate the suffering of people. The figure with hands clasped is Sudhana (Shan-ts’ai), who is often said to appear at the Sudhana Cave at Mt. P’u-t’o. The white parrot here is said to have accompanied the South Sea Kuan-yin to Mt. Potala and studied Buddhism (as narrated in “The parrot of Loyalty”).&*﹝普門品﹞中，無盡意菩薩請示釋迦牟尼：「佛子何因緣，名為觀世音？」釋迦牟尼以偈回答，頌偈中提及觀音「弘誓深如海，慧日破諸闇，澍甘露法雨，梵音海潮音」，此為海洞潮音觀音的緣起依據。明清佛教宗派已趨於融會之路，觀音繪畫也不止依於法華一經。畫中觀音手執柳枝與淨瓶，此一楊柳觀音形象，亦稱之為藥王觀音。密教經典有謂「為身上種種病難，故手持楊柳枝」，而水瓶是一種身心淨化的象徵。本幅為無量壽佛會慶圖冊第八幅。 &*In the Samanta-mukha Chapter, the Bodhisattva Mañjughoşa asked the Buddha Shākyamuni about the Bodhisattva Kuan-yin. Shākyamuni responded with a gata, or verse, in which he described Kuan-yin’s vow to help all sentient beings: “the light of Kuan-yin’s wisdom clears darkness like the sun; the rain of the Dharma nourishes all like ambrosia; and the sound of Kuan-yin’s teaching is as vast as the sound of the waves.” Such is the origin of Kuan-yin Among Waves and Caverns. Buddhist sects during the Ming and Ch’ing dynasties converged in many aspects, and Kuan-yin appeared in more than just the Lotus Sūtra. In this painting, Kuan-yin holds a willow branch in her right hand and a vase in her left. This depiction of Kuan-yin holding a willow branch is also called Dantakāstaha or the Healing Kuan-yin. In Esoteric Buddhism, Dantakāstaha relieves illnesses and thus holds a willow branch. The vase is a symbol of purity and cleanliness, especially of the spirit. &*本幅畫潮波滔滔，崖石險峻，觀音大士踏雲而行，身披瓔珞，頂置化佛，左手持淨瓶，右手以柳枝洒落甘露法雨。其前，善財童子禮拜求法，合什躬腰。此圖為「無量壽佛會慶圖」冊第八開。&*This painting depicts the Kuan-yin Bodhisattva treading lightly among the clouds while waves crash thunderously by a precipitous rocky cliff. Kuan-yin is adorned with jewels; a small Buddha can he seen above her head. Her left hand grasps a water vase while the right waves a willow branch that dispenses sweet dew and the rain of the Dharma. In front, Shan-ts’ai t’ung-tzu bends at the waist with hands together in obeisance seeking the Bodhisattva’s teachings. This painting is the eighth leaf of an album of auspicious Buddhist subjects entitiled Wu-liang shou-fo hui-ch’ing t’u.&*1.葛婉章，〈清人畫海洞潮音〉，收入葛婉章編，《妙法蓮華經圖錄》（臺北：國立故宮博物院，1995年初版），頁121-122。 2.李玉珉，〈清人畫海洞潮音〉，收入李玉珉主編，《觀音特展》（臺北：國立故宮博物院，2000年初版），頁216。
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
