清錢慧安人物 冊頁
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- 資料識別：
- 贈畫000510N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 錢慧安
- 主題與關鍵字：
- 漁夫、船夫 孩童 江河、湖海 竹 耕織漁獵
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 清德宗光緒十一年（1885）
- 格式：
- 本幅 19.1x50.4公分、全幅 59.2公分
- 關聯：
- 林宗毅先生捐贈書畫目錄，頁55、124 &*錢慧安（西元一八三三－一九一一年），寶山（今上海）人，一作浙江湖州人，一作仁和（今杭州）人，僑上海。初名貴昌，字吉生，號雙管樓，一號清谿樵子，善人物、仕女，間作花卉、山水亦善。 水波粼粼，江邊漁翁捧簍觀視，計數漁獲多少。錢氏作畫，筆調轉折，頗為刻意，是以古裝人物，衣服折褶處多是畫中重點。本幅畫鄉野人物，俚俗趣味是所強調者，衣衫袒胸，華髮滿頭，不修邊幅，眞率可愛。 本幅為林宗毅先生捐贈。 &* Ch’ien Hui-an (given name Kui-ch’ang; style name Chi-sheng; sobriquets Shuang-kuan-lou and Ch’ing-hsi ch’iao-tzu) was a native of Pao-shan (modern Shanghai). One document states that he was from Hu-chou, Chekiang, and another records that he was from Jen-ho (modern Hangchow) but lived in Shanghai. He was skilled at depicting human figures, ladies, and various objects. He also excelled at painting bamboo, flowers and plants, and landscapes. Beside the waves of a river, an old man holds a bamboo basket and looks inside to count how many fish he has caught. Ch’ien’s brushstrokes are full of many breaks and turns, giving his forms a carved feeling. The focus of this painting is the old fisherman in tattered clothing, and Ch’ien attempts to emphasize his carefree way of dressing and his complete frank state of mind. Ch’ien has captured a cute scene by depicting the old man in ragged clothing with a completely white head of hair contrasted by the dissimilar, young figure by his side. &*1.劉芳如，〈清錢慧安人物〉，收入劉芳如主編，《十九世紀末期中西畫風的感通之二－－國立故宮博物院所藏同時期名家作品展》（臺北：國立故宮博物院，1993年初版），頁66-67。
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
