清鄒一桂畫藤花 軸

清鄒一桂畫藤花 軸

推薦分享

Share

資源連結

連結到原始資料 (您即將開啟新視窗離開本站)

後設資料

資料識別:
故畫000778N000000000
資料類型:
類型:繪畫
型式:靜態圖像
著作者:
鄒一桂
主題與關鍵字:
紫藤
出版者:
數位化執行單位:國立故宮博物院
格式:
本幅 30.1x42.2公分、詩塘 直徑39.3公分、全幅 52公分
關聯:
石渠寶笈續編(御書房),第四冊,頁2192&*故宮書畫錄(卷五),第三冊,頁563&*故宮書畫圖錄,第十一冊,頁237-238&*  鄒一桂(西元一六八六-一七七二年),江蘇無錫人。字原褒,號小山,又號讓卿,晚號二知老人。雍正五年進士,歷官至禮部侍郎,加尚書銜。擅長花卉畫外,又精通畫理,著有小山畫譜。   他的花卉,原學惲壽平沒骨畫一派,但作品比較惲畫為工整精飾,這是因為多屬宮廷應制而畫,作畫態度,循規蹈矩,不敢稍意逾越,因此,用筆工細,著色穠艷,特別具有一種精美富麗的氣息。 &* Tsou I-kuei was style-named Yüan-pao; his sobriquets were Little Mountain, Jang-ch’ing, and in his later years, Old Man Erh-chih. He was a native of Wu-hsi, Kiangsu. In 1727 he received his chin-shih degree; he served as the Vice-President of the Ministry of Rites and was later given the honorary title of president. In addition to excelling at flower painting, he was well versed in the principles of painting and was the author of the Hsiao-shan hua-p’u, a book on painting theory. In flower painting he began by following the “boneless,” or unoutlined, method of the painter Yün Shou-p’ing, but Tsou’s works were neater and more embellished. This is because most were painted at the request of the emperor, and Tsou therefore had to observe all of the contemporary painting rules and regulations and did not dare overstep his position in even a small way. Thus he used the brush very precisely and applied color sumptuously such that his works have an air of lavish beauty.
管理權:
國立故宮博物院

授權聯絡窗口

國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061

引用這筆典藏 引用說明

引用資訊
直接連結

評分與驗證

請為這筆數位資源評分

star star star star star

推薦藏品

主要品名:銀塘秋意
主要品名:銀塘秋意
主要品名:荷
主要品名:荷
元吳鎮漁父圖 軸
元吳鎮漁父圖 軸
主要品名:水仙
主要品名:水仙
主要品名:四季有餘
主要品名:四季有餘
主要品名:荷鳥
主要品名:荷鳥