石渠寶笈續編(重華宮),第四冊,頁1862&*故宮書畫錄(卷八),第四冊,頁51&*故宮書畫圖錄,第二十一冊,頁223-230&*楊大章,乾隆時供奉內廷,工人物、花鳥畫。本卷記錄古代城市生活的形形色色,自右開始映入眼簾是恬靜的郊區農村,過護城河後進入金陵城,城裡人車雜沓,各類店鋪林立,販夫走卒、男女老少穿梭於熱鬧喧囂的市井中,全卷用色鮮明清亮,人物表情姿態生動,細節講究,根據幅上作者款識,畫成於乾隆五十六年(西元一七九一年)。與院藏〈清院本清明上河圖〉皆為長卷式寫實風俗畫的代表。(20100101)&*Yang Dazhang was a court painter in the Qianlong reign (1736-1795) and excelled at figural and bird-and-flower themes. This handscroll documents the activities of urban life in traditional China. Starting from the right, a peaceful rural scene in the suburbs comes into view. Crossing the moat, we enter the city of Jinling (the old name for Nanjing), where many people and vehicles ply streets with various shops and stalls with different things. Men and women, both young and old, crisscross the bustling city. Done in bright and beautiful colors, the figures’ expressions and actions are lively, and details are finely done, too. The signature gives a date equivalent to 1791. This work (along with the Museum’s version of “Up the River on the Qingming Festival”) is representative of a long handscroll genre painting.(20100101)&*1.侯怡利,〈江雨霏霏江草齊 六朝如夢鳥空啼 — 清楊大章〈仿宋院本金陵圖〉〉,《故宮文物月刊》,第322期(2010年01月),頁100-106。