清馬元馭花卉 冊 牡丹
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- 資料識別：
- 故畫001301N000000003
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 馬元馭
- 主題與關鍵字：
- 牡丹
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 清聖祖康熙四十二年（1703）
- 格式：
- 本幅 24.3x23.9公分、全幅 58公分
- 關聯：
- 故宮書畫錄（卷六），第四冊，頁140&*故宮書畫圖錄，第二十四冊，頁272-273 &* 馬元馭（西元一六六九－一七二二年），江蘇常熟人。字伏羲，號棲霞，又號天虞山人。眉子。畫傳家法，而氣韻超逸突過乃父。賦性落拓，縱酒逞筆，乃益豪放。寫生得惲南田親得，又與蔣廷錫討論六法，故沒骨畫益工，神韻飛動，不泥陳跡。書亦雋雅。 此幅繪牡丹一朵，清雅可愛。作者自題仿宋人法所繪，時年三十五歲。 &*Flowers Ma Yüan-yü (1669-1722) Ch’ing Dynasty Ma Yüan-yü (style name Fu-hsi; sobriquets Ch’i-hsia and T’ien-yü shan-jen) was the son of the Ma Mei and a native of Ch’ang-shu, Kiangsu. Ma Yüan-yü inherited the family tradition of painting, but surpassed his father in informing his pictures with resonance. Being naturally unrestrained, Ma Yüan-yü indulged in drinking and painting to give his style a grand manner. In painting from life, he received the personal instruction of Yün Shou-p’ing and discussed the six principles of painting with Chiang T’ing-hsi. He consequently became a master of the “boneless” wash method of painting. He painted with energy and freedom and was not fettered by tradition. Furthermore, his calligraphy was very elegant. This is a painting of a peony blossom that is both elegant and cute. In Ma Yüan-yü’s inscription, he stated that he was imitating Sung dynasty (960-1279) methods of painting. The painting was done when the artist was 34-years old.
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
