石渠寶笈續編(寧壽宮),第六冊,頁2985&*故宮書畫錄(卷八),第四冊,頁108&*故宮書畫圖錄,第十二冊,頁29-30&* 廬山在今江西省九江縣南,相傳周代匡俗隱居山中,結廬讀書,因此得名為「廬山」,也稱「匡山」,或者合稱為「匡廬」。目前流傳的廬山圖,以本院所藏五代荊浩<匡廬圖>時代較早,此幅則為清人董邦達臨仿荊浩之作。董邦達(一六九九-一七六九),字孚存,浙江富陽人,官至禮部尚書,畫風受清初仿古潮流影響,追隨元人筆墨,深得乾隆皇帝嘉賞,此圖即為奉旨臨古之作。&*Imitating Ching Hao’s “Mount K’uang-lu Tung Pang-ta (1699-1769) Ch’ing Dynasty Mount Lu (“Thatched Hut”) is in southern Chiu-chiang County, modern Kiangsi. It is said that K’uang Su of the Chou dynasty lived as a recluse there in Taoist cultivation and built a thatched hut for study (hence its name). It is also named K’uang after him or a combination of the two (K’uang-lu). The earliest image of Mount Lu in the Museum is attributed to the Five Dynasties artist Ching Hao, entitled “Mount K’uang-lu”. This is a copy made by Tung Pang-ta, a native of Fu-yang, Chekiang, who became Minister of Rites. His style was influenced by the early Ch’ing trend of imitating antiquity, going back to the style of Yüan artists. He was much admired by the Ch’ien-lung emperor, and this work was an imperially ordered copy of the old masters.