清徐揚仿貫休畫羅漢 軸
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- 資料識別：
- 故畫002840N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 徐揚
- 主題與關鍵字：
- 佛道侍者 傢俱（屏風） 竹 供養人 香爐．火盆 宗教器用 羅漢（應真、尊者）
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 128.5x54.3公分、全幅 73公分
- 關聯：
- 故宮書畫錄（卷八），第四冊，頁125&*故宮書畫圖錄，第十三冊，頁329-330&* 徐揚，生卒年不詳，號雲亭，江蘇吳縣人，乾隆十六（西元一七五一）年，因獻畫而獲高宗賞識，召入內廷畫院為供奉。他的畫以山水為專長，又善於畫墨梅，人物畫較難得見到。 本幅畫二尊者結跏趺坐，其一眉目清淨，披袈裟，手持經卷，前一侍者持槌擊磬，另一尊者披髮長鬚，著長衫，閉目沉思，前一居士俯身跪拜。二尊者的後面石几上有水瓶、香爐、經卷等。全幅人物衣紋線條於勻稱，構圖平實，為清代畫羅漢典型之一。 &*Imitating Kuan-hsiu’s Paintings of Lohans, Hsü Yang (fl. 18th century), Ch’ing Dynasty. Hsü Yang (sobriquet; Yün-t’ing), whose birth and death dates are unknown, was a native of Wu-hsien, Kiangsu. In 1751, having presented a painting to the Ch’ien-lung emperor (r. 1736-1795) and receiving his praise, Hsü Yang was summoned to the Painting Academy of the Inner Court as a Palace Attendant. He was a specialist in landscape painting and also excelled at depicting plum blossoms in monochrome ink. His figure paintings are less frequently seen, however. This is a painting of two lohans seated cross-legged. One of them is handsome, dressed in monastic garb, and holding a sūtra scroll. In front of him is an attendant garb, and holding a sūtra scroll. In front of him is an attendant striking a ch’ing-instrument with a mallet. The other lohan wears long hair, a moustache and beard, and a robe with long sleeves. His eyes are closed in deep thought. Before him is a layman kneeling and bowing in worship. On the stone table behind the two lohans are such objects as a water bottle, incense burner, and sūtra scroll. The composition of the painting appears realistic. It is typical Ch’ing dynasty of lohans. &*1.李玉珉，〈清徐揚仿貫休畫羅漢〉，收入李玉珉主編，《羅漢畫》（臺北：國立故宮博物院，1990年初版），頁86。
- 管理權：
- 國立故宮博物院
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http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
