石渠寶笈續編(重華宮),第三冊,頁1549&*故宮書畫錄(卷五),第三冊,頁144-145&*故宮書畫圖錄,第三冊,頁97-98&*1.〈傳宋人漁樂圖(明丁玉川)〉,收入陳階晉、賴毓芝主編,《追索浙派》(臺北:國立故宮博物院,2008年初版一刷),頁183-184。 &*一河兩岸式構圖的淺設色畫。畫岸側漁舟方艤楫,對浦漁船三兩,而紅葉風蘆正展現一片盎然秋意。 清宮〔石渠寶笈〕將本幅著錄為宋人之作,然學者卻從畫幅的右上角發現屬於明代江右(今江西)畫家丁玉川的鈐印一方,印文為「玉川」二字。丁氏的生卒年不詳,約活動於十五世紀,其山水畫宗法宋代馬遠、夏珪,正與本幅畫風相符,因推斷丁玉川可能為原作者。&*The composition of this painting in light colors involves two shores with a river in the middle. By the shore in the foreground is a fishing skiff and at the other side are two or three others. The reddish leaves indicate that the season is autumn. The Ch'ing imperial catalogue records this work as a painting by an anonymous Sung dynasty painter. Modern scholars, however, have discovered that the seal in the upper left corner is that of the Kiangsi painter Ting Yü-ch'uan. Though his exact dates are unknown, he was active around the 15th century. His landscape style followed that of the Sung artists Ma Yüan and Hsia Kuei, which this painting matches quite well. This evidence suggests that Ting Yü-ch'uan was most likely the painter of this work.