清丁觀鵬畫唐明皇擊鞠圖 卷
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- 資料識別：
- 故畫001097N000000000
- 資料類型：
- 繪畫
- 著作者：
- 丁觀鵬
- 主題與關鍵字：
- 官員（臣）
- 旗
- 后妃
- 仕女
- 球
- 馬
- 帝王
- 軍士
- 侍從（侍女、童僕）
- 格式：
- 本幅 35.6x251.9公分
- 隔水一 14.2公分
- 隔水二 14.5公分
- 語言：
- 漢文
- 關聯：
- 石渠寶笈續編（寧壽宮），第六冊，頁3026
- 故宮書畫錄（卷四），第二冊，頁267-268
- 故宮書畫圖錄，第二十一冊，頁47-50
- 丁觀鵬，生卒年里均不詳。乾隆年間，為內廷供奉，善畫道釋人物。其畫沿襲焦秉貞、冷枚遺緒，筆墨精微，著色穠艷。人物開臉暈染，兼採西洋光影透視法，故形象顯突，神情宛活，可視為清院畫人物之典型作品。本幅以白描法畫明皇率嬪妃宦臣等共十六人擊鞠為戲。衣紋多以李公麟之高古遊絲描刻繪，間或可見釘頭鼠尾描。筆法靈動，又摻配西畫技法，更顯生動。案。擊鞠為唐代宮廷內極為流行之戲，規則近今日之曲棍球。
- Ting Kuan-p'eng was an excellent figure painter, especially of Buddhist and Taoist subjects. His painting followed the paths opened up by Chiao Ping-chen and Leng Mei. The faces of his figures are modeled with brushlines and shades of color; western methods of perspective and chiaroscuro are added. His work presents the classic model of Ch'ing court figure painting.This painting is a pai-miao ink-outline depiction of Emperor Ming-huang leading the palace ladies and attendants, a total of sixteen people, in a game of chi-chu, a popular sport at the T'ang court whose rules approximated those of modern-day polo. The clothing folds in general follow the high antiquity "spring-silkworm-spitting-silk brushstrokes" of Li Kung-lin. In places one sees "nail-head rat-tail strokes." The brushwork is lively, and a sense of vitality is achieved by the western methods of painting that are added.
- 管理權：
- 國立故宮博物院
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http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
