石渠寶笈續編(御書房),第四冊,頁2070-2071&*故宮書畫錄(卷八),第四冊,頁52&*故宮書畫圖錄,第二十一冊,頁381-384&* 仇英(約西元一四九四-一五五二年),江蘇太倉人,後移居吳縣。字實父,號十洲。從周臣學畫,擅長山水、樓台、人物和仕女。又善於臨摹古人作品,幾可亂真,為明四大家之一。 松林間,趙松雪據石几持筆作書,恭上人對坐,後設茶具鑪案。據拖尾文嘉跋,此圖乃崑山周于舜請文徵明書心經,並請仇英補圖,繪趙孟頫書心經以換茶之情事。&*Ch’iu Ying lived in Soochow. He studied painting from Chou Ch’en and specialized in the subjects of landscapes, buildings, figures, and ladies. He was also gifted at making close copies of ancient works. He is known as one of the Four Great Masters of the Ming. Amidst pine trees, the great Yuan scholar-artist Chao Meng-fu sits at a table holding a brush with Kung Shang-jen facing him. Behind are tea implements and a brazier for boiling water. According to the colophon by Wen Chia, Chou Yu-shun of K’un-shan asked Wen Cheng-ming to calligraph The Heart Sutra for him and Ch’iu Ying to paint an accompanying picture.