石渠寶笈續編(養心殿),第三冊,頁1224&*故宮書畫錄(卷八),第四冊,頁106&*故宮書畫圖錄,第十一冊,頁379-380&* 張若靄(西元一七一三至一七四六年),字晴嵐,安徽桐城人。相國廷玉子,雍正十一年(西元一七三三年)傳臚,官禮部尚書,襲伯爵,諡文僖,以書畫供奉內廷。善畫山水、花鳥,得王穀祥、周之冕遺意。 水墨畫近坡奇石,水仙叢集;遠處湍泉漫漫。花葉先以墨線鈎畫輪廓,再純以墨色分染,濃淡分明,工謹倍至。 &*Narcissus Chang Jo-ai (1713-1746) Ch’ing Dynasty Chang Jo-ai (style name Ch’ing-lan) was from T’ung-ch’eng, Anhui. He inherited the title of Count from his father, who was the Prime Minister, and later was given the name Wen-hsi, posthumously. A skilled calligrapher and painter, Chang was noted particularly for his landscapes, birds and flowers. He formed his own painting style on the basis of the ideas of Wang Ku-hsiang (1501-1568) and Chou Chih-mien (ca.1580-1610). This ink painting depicts strange rocks and a thick clump of narcissus on the foreground slope. In the distance, a rapidly flowing stream is brimming forth. Flowers and leaves have been outlined, and the latter filled-in with darker or lighter washes so as to distinguish the front and reverse sides of the leaves. The artist rendered this scene in a very careful and meticulous hand.